Chinthavishtayaya Shyamala

<p>Vijayan, the village school teacher, believes that his degree in economics will make him succeed in the business ventures he undertakes. Taking long leaves of absence from work, he goes around with his schemes, all of which turn out to be downright failures. The movie opens with a light portrayal of the misery of his benevolent wife Shyamala and their two daughters, with Vijayan away on his latest venture — an attempt to shoot a short film under influence of his friend. It ends, predictably, with Vijayan taking to his heels when it is apparent that he has never seen a film being shot in his life before and thought he could just wing it without experience. Karunan “Mash”, Vijayan’s father, is worried for his son and daughter-in-law and their children by seeing Vijayan not taking seriously his regular job in hand and going after dreams beyond his capability. His wife is under-educated and believes what her husband is doing is right for their family and what they face is a momentary crisis. He knows this and misuses this for slacking off on his responsibilities. As a last resort to reform his son Karunan and father-in-law Achuthan Nair suggests that Vijayan undertake the annual pilgrimage to the hilltop temple and reorder life with responsibility. Despite his initial protests, Vijayan undertakes his pilgrimage because he starts to lose ground for his acts, by observing the customary 41-day and . changes him. On his return from his pilgrimage, his family discovers to their dismay that matters have swung to the other extreme. Vijayan takes faith to his heart, embraces and adopts a life of , and , eventually forsaking his debt-ridden family for a life at an . His version of ashram life is one of round-the-clock prayer and an escape from daily responsibilities and work — which doesn’t go well with the other residents. Soon the residents find out Vijayan has a family and abandon them they would be taken care of by God since they are innocent and his primary aim for becoming a Sanyasi is to craft gold and money from the ether as some fake Sanyasi’s do rather than service. The head of the ashram guides him to lose his inferiority complexes and betray himself because knowing oneself and taking up responsibilities is the foundation of true wisdom and freedom. He soon finds himself unwelcome there and returns to his home, to discover his family have moved on without him and sustains without hunger or by borrowing money as they did in the past from a tailoring business contract his wife took after he left. During her sister’s marriage day she guides her sister to complete her studies and should take up a job that could make her role in their family as an equally responsible person. Vijayan tries to get back into his family which he abandoned. He tries to win his family’s heart through acts and mediation’s, his wife censures him for his new low. He continues with his acts to convince his wife but she finally says she sees through all these and to leave them alone. Vijayan finally breakdown but his wife rejects it which makes him declare that he is leaving them for sure if it is what they need. His wife asks him why was the emotional whimpering a moment ago and did he even think how they felt for months when Vijayan rejected and left them alone. She says there were many who suggested she remarry but she lived through each night with the hope that Vijayan would return and if this is the resolution he has come up with finally, he should go wherever he wishes. The next day with a true change of heart he returns to his teaching and the film ends with Vijayan returning to his home with his wife and children through a road where leaders and Sabarimala pilgrims are marching in opposite directions. The title and plot of the film are inspired by , a celebrated work by Malayalam poet and social reformer . The poem describes the philosophic musings of and her confrontation with her husband , towards the end of the epic. As in the poem, the film portrays the silent struggle, sacrifice, and finally the emancipation of the character Shyamala. It was remade in Telugu as (1999) by . This film was later remade into Tamil as in 2005 directed by who also starred in lead role. It was also remade in Hindi as with but it remains unreleased. This was Sreenivasan’s second directorial effort and won critical and commercial success and further established his position in as a gifted and . The film won the in 1999. It won the in 1998. The film became commercial success. It ran more than 150 days in theatres. The film’s soundtrack contains 2 songs, all composed by and Lyrics by and .</p>