Arike

<p>Kalpana’s parents are against her marrying Shanthanu, and they try to bring proposals from their own ( ) community. At one point, Kalpana’s aunt tricks her into meeting a guy, Sanjay, whom they hope Kalpana will like and marry. While they travel with Sanjay in his car, they meet with an accident, causing some scars on Kalpana’s face and giving her a disfigured toe. After the accident, Kalpana backs out from the relationship with Shanthanu and gives in to her parents’ wishes to marry Sanjay. Anuradha feels bad for Shanthanu and tries to console him. It is then that Shanthanu realizes that Kalpana has actually not loved him at all. Though his actual love was near him, so close, he failed to recognise it (this is where the name of this film gets significance). Shyamaprasad has adapted several classics on celluloid so far. is the latest in that list and is based on a Bengali short story by , whose novel was also the base for the director’s . Says the director, “I don’t think adapting stories from other languages is an issue at all, because human emotions are universal and can be told without linguistic barriers. I am fond of adapting literature, since writing a story is not my forte and I do not believe in concocting a story for the sake of filmmaking.” He also adds that , a director who portrayed the middle-class in many films, proved to be his guiding force while making . Like all of Shyamaprasad’s previous films, too is about the quest for love. Talking about the theme of , the director says, “There is an obsessive quest for love in each one of us. We have illusions and inhibitions about love, yet we have an irrepressible thirst for it. We all want to find happiness in love. But whether we get that happiness is the question which I want to delve through this film.” Compared to the dark themes he took up earlier, s tone is relatively lighter. Shyamaprasad says, “In , the subject had a shadow of gloom and depression, was about the aspirations and attitude of the young working population. has a breezy feel, and the story is told in a lighthearted and realistic way. I have also taken efforts to avoid cliches such as rain, sea, train that are common motifs in romantic films.” The film has only a handful of characters. Shyamaprasad wanted to use live sound recording and hence, chose actors who could emote dialogues perfectly while shooting itself. Shyamaprasad says he selected Dileep to play the protagonist because he feels the actor has the look and feel of the character. This is the first time Shyamaprasad has cast Dileep in a lead role, though the actor had earlier done a role in the director’s 1998 film . The film’s production started in late November 2011. The director had given all the actors a copy of the script so that they could practice their parts well. The film uses sync sound recording or live sound recording. Shyamaprasad brought in Sohel Sanwari from to record the sound. The film was shot completely from . It was Shyamaprasad’s first film to be filmed in the city. He says it was his emotional relationship with the city and its calm nature which helped live recording to a great extent, that inspired him to choose Kozhikode as the main locale. Filming was completed in late December 2011. Cinematographer Alagappan says he experimented a lot with the film, and the film was made in a special “visual tone.” It was shot using a Sony F3 Camera. , who worked with Shyamaprasad in and , was the costume designer for this film. All lyrics are written by ; all music is composed by .</p>