Kshana Kshanam

<p>Narayana and his accomplice, working for gangster Nayar, break into a bank in and rob (US$120,000). Found out by the police, the group engages in a shootout and later a chase, during which one of the gang members and the policemen are killed. Narayana, going rogue, kills his accomplice and betrays Nayar, hoping to keep the loot for himself. With the police watching all routes out of Hyderabad, Nayar and his men track Narayana to his brother’s photo studio. Before he gets caught, Narayana hides the clue to where he hid the money in one of the photo envelopes. Tortured for information, Narayana reveals the clue, but before they can retrieve it, the envelope is taken by Satya, a middle-class working woman. Before dying, Narayana reveals the truth and the clue to his brother. Heading home, Satya is accosted by one of Nayar’s men, who demands the envelope. Trying to escape, Satya accidentally stabs him, after which her nosy neighbor calls the police on her. While on the phone, the thug gets up again, only to fall dead, a knife lodged in his back, which later is shown as being thrown by Narayana’s brother. Meanwhile, Chandu is a small-time thief posing as a police officer to con and steal from people. While relaxing at a , Satya enters the place and calls her friend to inform her about what happened, unaware that the police were listening in. Chandu inadvertently saves her from being harassed by a gang of hoodlums, and while she is thanking him, the police arrive. Thinking that they are after him, Chandu takes Satya hostage and escapes into the jungle with her. Meanwhile, Nayar and his men also join the pursuit. Chandu and Satya face a few challenges in avoiding the police, Narayana’s brother, and Nayar in the forest, gradually growing closer to each other. They run into Nayar, where he demands to know where the envelope is. Escaping the police led by Inspector Yadav and Narayana’s brother, Chandu deduces that the clue to the money is hidden in that envelope. They eventually stumble across Nayar’s truck, which they use to escape the jungle and into the city. Knowing that Satya’s apartment is a crime scene and will be guarded, Chandu and Satya decide to scale the building from outside through her neighbor’s apartment. They eventually find the envelope, which contains a storage receipt for the cloakroom at the railway station. Evading Nayar’s henchmen and the police, Chandu and Satya face off against one of Nayar’s henchmen at Chandu’s apartment and tie him up. While Chandu goes off to meet his friend and decide what to do with the money they found, Satya is left to guard the henchman, who breaks free and subdues her, then calls Nayar. Chandu decides to keep half the money and return the rest but is ambushed by Nayar’s henchmen and brought to his apartment, where he is forced to hand over the receipt. The police, tipped off to their location by a police informant arrive at the location, and a shootout ensues. Chandu manages to subdue Nayar and get the receipt, and they head for the station with Nayar and the police in pursuit. The duo reaches the station and retrieves the money bag. They then climb the train to escape Nayar. At the next station, Nayar and his men board the train, leading to a fight between Chandu and the goons. Confronted by Nayar and one of his men atop the train, Nayar holds Chandu and Satya at gunpoint, demanding the money. In response, Chandu hangs the bag over the side, threatening to drop it if he shoots. Left with no options, Nayar decides to have the train stopped so that he can shoot them and retrieve the money, only for his henchman and the train driver to struggle and fall out of the train. Chandu unhooks the engine from the rest of the train, jumping back to grab the bag and jump off, while the engine crashes into several houses and stops. Nayar is arrested by the police, and Chandu returns the money to Yadav after Satya questions his motives. The film ends with Satya asking Chandu to drop her home, offering to introduce him to her mother, and an amused Chandu agreeing. After the success of (1989), cinematographer approached Varma to make a film with . Varma, being an ardent fan of hers, agreed to it and called the film “a love letter to her”. and were initially considered as the film’s titles. Filming was done in , , and . The climax was filmed at Nandyal. Sridevi’s character was named after Satya, a woman who Ram Gopal Varma used to love in college, who did not love him back. The song “Ko Ante Koti” (“Kingu La Kanipisthunnadu”) was shot in . The film’s music was composed by , who revealed that it took him 12 days to compose the background score. This was due to the film being the first in Telugu to use a 6-track sound system, which introduced new technical challenges in sound design. The song “Jaamu Raatiri,” with lyrics by and sung by and , is regarded as a timeless classic. A revamped version of the song was released on 23 August 2019 by Vel Records. The new version featured vocals by , , , Deepu, Damini, Mounima, Shruthi, , and Prudhvi Chandhra. was released on 9 October 1991. The film was dubbed and released in Tamil as and in Hindi as in October 1992. Griddaluru Gopalrao of wrote his review on 18 October 1991, appreciating the performances of the lead cast and the action sequences. Gopalrao, however, opined that the writing could have been better. He felt that the suspense was diluted because the audience is fed with the details which the characters themselves are not aware of. On 16 October 1992, Malini Mannath of termed the film a “comic-thriller.” She wrote that “The climax scene on a train has been superbly directed.” In July 2020, Balakrishna Ganeshan opined that the tells the story from a female perspective which is rare in Indian cinema, however, he added that the film still suffers from male saviour complex. On the performance of the lead cast, he wrote: “Sridevi and Venkatesh are understated and subtle in their respective performances.” Appreciating the cinematography, he stated: “S Gopal Reddy’s cinematography too deserves mention. The film has a lot of top angle shots during the chasing sequences, which establish the chaos and keep the film fast-paced.” The soundtrack and score were composed by received positive reviews. The narrative by Varma and the cinematography by were appreciated.</p>