Swati Kiranam

<p>The film starts with a shabby old man living as a recluse near a famous temple in . When he ventures out into the village, he is beaten by the shepherds who believe that he is a thief. When they hand him over to the police, the officer in charge identifies him as a once-famous musician, Anantha Rama Sarma ( ), hailed as Sangeeta Samrat (Emperor of music), who has been missing for four years. The inspector Radhakrishna ( ) informs his aunt ( ), who teaches yoga and music in his native village, of this and the past of Anantha Sarma which is narrated through flashback. Anantha Rama Sarma is a widely respected egoistic Carnatic composer and singer with inflated self-esteem. This is established when he rejects the bestowed upon him by the Government of India, as he believes that the other awardees are not worthy to be mentioned alongside him. Gangadhar ( ) lives in the same village. He rejects the society’s norms (taking music classes and going to school) and spends his time sitting by the riverside. The river inspires him to sing many songs in different tunes. His music teacher, also the policeman’s aunt, recognizes his talent and tries to nurture it. His school teacher (the music teacher’s brother) is also fond of Gangadhar. Gangadhar wants to become a great carnatic composer and singer, like Anantha Sarma, and his father ( ) encourages him. Gangadhar starts performing (“Pranathi Pranathi”) at the Tapeswaram ‘s ashram in front of Anantha Sarma and impresses him. His day comes when Anantha Sarma is honoured with lifetime achievement award at a concert. Gangadhar sings (“Aanathi Neeyara”) in honour of Anantha Sarma, which many consider to be much better than any of Anantha Sarma’s works. The boy is hailed as a child prodigy by everyone including Anantha Sarma’s wife. Anantha Sarma wants to imprison Gangadhar’s talents. So he asks Gangadhar to stay in his house and learn music as one must be well-experienced to sing on stage. Anantha Sarma makes Gangadhar compose tunes (which is required by him to perform at various concerts), but he always acts unimpressed by Gangadhar’s exceptional compositions. Anantha Sarma performs one of Gangadhar’s powerful compositions (“Shivani Bhavani”) at ‘s ashram in Gangadhar’s absence but Gangadhar arrives at the concert whilst Anantha is performing Gangadhar’s tune. Ananta’s wife also finds the hidden stash of all tunes composed by Gangadhar. He now feels guilty and defends himself by saying that he did it because he was afraid this child would destroy his name and fame. In this emotional moment, he suffers a heart attack. To show his gratitude towards his adopted mother, Gangadhar kills himself so that there is no competition for Anantha Sarma. The incident shocks the villagers and they call Anantha Sarma a murderer. To escape their wrath and insults, he runs away and becomes a recluse. Ananta Sarma is still unconscious while in the police station. When he awakens, he finds himself in the house of Gangadhar’s music teacher. The music teacher’s husband tells him that they have forgiven him and asks him to return to his house. At his house, he finds his wife giving music classes (an institute named “Gangadhar Music Academy”) for young children. He sits down among the children learning the basics from his wife. Director K Viswanath had approached to dub for Mammootty in the film. According to SPB, he was ready dub for a great actor like Mammootty. But Mammootty asked the director if he can dub it himself in Telugu with his own voice, even though he did not know Telugu at the time. According to SPB, he said: “I can work hard. If you still do not like it, just do it with Balu Sir.” But nothing like this came about. According to SPB, the film was dubbed by Mammootty himself. Though he could not provide the voice, it was SPB who sang the song for Mammootty in the film. During the composing sessions of this film, the music director K. V. Mahadevan was hospitalized. Hence his close associate and disciple composed all the songs in the film. But due to his devotion towards the music director, he credited K. V. Mahadevan’s name instead of himself. The song “Aanati Neeyara” is written in Thyagaraja Pancharatna Krithi style by . Pancharatna Krithis are unique compositions where there are numerous charanams which progress into a crescendo. This song fetched the . This film is the only film to have same lyrical compositions sung by different singers. But with strikingly different compositions. “Pranathi Pranathi” is first sung in Naata by the character of Mammootty which is tuned in a different way again for Master Manjunath to sing brilliantly. The song “Shivani Bhavani” is sung in the same tune but with different emotional levels by the two lead characters Anantha Sarma (Mammootty) and Gangadharam (Master Manjunath) respectively. This film also marked the first and last collaboration of veteran singers Vani Jayaram and . All music is composed by The film was released on 1 January 1992 on to widespread critical acclaim. In a retrospect interview of the film by , they call the film an unmistakable epic by writing: ” is called an unmistakable epic because it explores the hidden side of a successful Carnatic Music singer – his inner fears, his insecurities just because he watches a child prodigy grow in front of his own eyes.” They further go on to praise the performance of the lead cast. They then praise the script, writing: “Dialogues written by Jandhyala are thought provoking and heart touching. The line where a tormented Gangadharam says ,” Mimmalni choosthe maa amma gari la anipisthunnaru..kaani ayyagaru endhuku thandri la kanipinchatledho ardham kavatledhu” (“While I can see a mother in you, I don’t know why I am unable to see a father in sir!”) to Anantha Sarma’s wife can make anybody tearful.” included the film in its series of “films that were box-office failures but, that deserve to be ranked as some of the best movies of Telugu industry.” The film won 1 , 1 and 1 each. The film was the inaugural recipient of the .</p>