Shyam Singha Roy

<p>Vasu is an aspiring film director in . To impress a film producer, he starts making a short film and finds Keerthi, a graduate to be the lead. After some resistance, Keerthi agrees to act in the film, and the shoot is completed within a few days. One day while shooting, some goons try to sexually harass Keerthi, leading to Vasu fighting them. In that ongoing fight, one of the goons hit him on his head, which leads him to ear bleeding and starts suffering from a disorder that temporarily manifest him into a different personality. Impressed with the short film, the producer green-lights Vasu’s feature film. On that note, Vasu throws a party and invites his friends including Keerthy. At the end of the party when everyone left, Keerthy kisses Vasu as a sign of goodbye but Vasu pulls Keerthy into his bedroom where they both passionately kiss and with each other. While making out, Vasu zones out and calls out a name Rosie which makes Keerthi think that he is cheating on her and breaks up. Disturbed, Vasu decides to move on and focus on the movie. A year later, Vasu releases his film, , which turns out to be successful. Vasu is offered to remake the film in but during a press conference for the remake in , Vasu is arrested on charges of copyright infringement. A notable publishing house based in , SR Publications, alleges that Vasu copied their best-selling novel written by Shyam Singha Roy fifty years ago. In court, strong evidence is presented against Vasu, and Keerthi’s cousin Padmavathi takes up the case. Vasu pleads his innocence and after a successful test, the court releases him on unconditional bail and gives them 3 days to present their case. Upon Keerthi’s suggestion, Vasu undergoes a test in with the help of Keerthi’s psychology professor, during which he reveals that he was Shyam Singha Roy in a past life and Rosie was his wife. In in 1969, Shyam Singha Roy is an influential social reformer and revolutionary writer with communist ideologies, who comes from a conservative family. As his family disapproves of his methods, he decides to leave but stumbles upon Maitreyi, a from (then known as ) who dances in the temple during the . Despite being an atheist, Shyam visits the temple every night to see Maitreyi. One night, he asks her to sneak out of the temple with him and she reluctantly agrees. Shyam and Maitreyi fall for each other, and Shyam renames Maitreyi as Rosie. They decide to elope, however, on that night, the temple’s high priest Mahant, who sexually preys on devadasis, selects a young girl to sleep with, which Rosie opposes. Mahant physically assaults Rosie in anger and disrespects her by urinating on her. Upon discovering this, an enraged Shyam attacks Mahant in the temple, during the Navaratri festival. After a fight, Shyam leaps onto the statue of , takes the sword, him, and throws him onto burning coal, killing him and removing the necklace on Maitreyi, implying the discontinuation of her duties as a devadasi. Shyam and Maitreyi, having formally changed her name to Rosie, move to where he starts working in a printing press. By 1977, Shyam becomes an accomplished yet controversial writer of his time. On Rosie’s suggestion, Shyam opens up a trust to rehabilitate devadasis. Shyam’s brother, Manoj, requests him to visit their village to see their ailing elder brother. However, upon their arrival, his two elder brothers send Manoj to bring tender coconuts, which turns out to be a ploy to by killing Mahant at the temple and marrying Rosie, who is not of their caste. Manoj arrives but is unable to save Shyam, who dies in front of him. The two elder brothers are killed in an accident a few years later and Shyam’s nephews now run SR Publications, Singha Roy’s publishing house. In the present, Vasu visits the printing press in Kolkata where Shyam worked. However, he is told that upon learning Shyam’s disappearance, Rosie has left to find him. Padmavathi submits Vasu’s hypnosis report as evidence in the court that Shyam Singha Roy is reincarnated as Vasu. However, the prosecution lawyer objects, stating there is no scientific evidence of reincarnation. While the court is about to give its judgment, an 85-year-old Manoj visits the court and declares Vasu to be Shyam’s reincarnation. Upon being asked for proof, Manoj explains that Vasu adapted Shyam’s short story as his short film Varnam, but that story was never published in the public domain. Manoj submits Shyam’s hand-written manuscript of the story as proof and withdraws the case as the chairman of SR Publications. Vasu is acquitted of all charges. Manoj reveals to Vasu that Rosie is alive and waiting for him. Vasu then visits an aged Rosie, who now runs a dance school named after Shyam. Upon meeting Vasu, both have an emotional reunion and as per her wish, Rosie dies peacefully in his arms. On 18 December 2019, Rahul Sankrityan narrated a script to , which was considered to be an “innovative story”. The project was initially reported to be produced under Suryadevara Naga Vamsi’s Sithara Entertainments banner, who initially worked with Nani in (2019). The film was announced in February 2020, with the title , and was expected to go on floors in May 2020, although the launch was delayed due to the . During March 2020, was approached to compose music for the film, and was in charge of handling the cinematography. Later was announced as the composer as Rahman apparently did not accept the offer. The film was meant to be Anirudh’s third collaboration with Nani after and . The film was expected to be made on a huge scale, marking the most expensive film in Nani’s career. However, producer Naga Vamsi wanted to cut down the budget citing the pandemic, as the estimated cost was much higher; Vamsi wanted to shelve the project, while Nani was completing the shoot of . Due to differences of opinion between Nani and Vamsi, the production was handed over to Venkat Boyanapalli, who produced the film under his newly established production company, Niharika Entertainment. On 25 October 2020, a new poster was launched coinciding with , with the inclusion of composer , cinematographer and editor . Director Sankrityan revealed that the film is based on the theme of and partially set against the backdrop of Kolkata. , who also collaborated with Nani in , was cast in the film. It was reported that was approached for a lead role, Impressed by her photographs and presence, Nani insisted director Rahul to cast fame at any cost and thus Krithi came into the film. was also confirmed as a lead, marking her come back to the after (2016). , , and were later included in the cast. In March 2021, Bengali actor was signed to play an important role in the film. This also marked the Telugu debut for dancer, . The film was launched at a private ceremony in on 11 December 2020, in the presence of the cast and crew, and Nani’s father gave the muhurat shot for the film. Principal photography began on 21 December 2020 in , India. A -themed street along with the was constructed on a budget of 6 crores. In February 2021, the team began filming crucial scenes in Kolkata. Filming was briefly halted due to and was resumed in July 2021. The Kolkata set in Hyderabad was damaged due to heavy rains and was restored by art director Avinash Kolla. Filming was completed on 26 July 2021 and post-production began. The soundtrack album is composed by and the audio rights were acquired by . The song “Pranavalaya” is set in the popular Carnatic raga (known as Raag in ), in its purest form. This song became a popular number. All lyrics are written by Soundararajan K. The film includes sexually intimate scenes between the lead actors Nani and Krithi Shetty who had a 20 year long age gap between them. At the time of filming, Krithi Shetty, who played the lead actress was a minor (she was 17 years of age and Nani was 37 years of age when this movie was being filmed). The film was originally scheduled for release on 24 December 2020, coinciding with , but was eventually postponed as filming was delayed due to the . The film was released on 24 December 2021. Apart from Telugu, the film was dubbed and released in Tamil, Malayalam, and Kannada languages. acquired the satellite rights of the film in Telugu, while acquired the digital rights in Telugu, Tamil, and Malayalam. The film began streaming through Netflix on 21 January 2022. Movie overall business valued at 130 crore and it collected 14 crore in Nizam, 36 crore in Andhra Pradesh and in both Telugu speaking states it collected 28 crore distributor share of gross 53 crore. Total worldwide it collected share of 65 crore. received mixed to positive reviews with critics praising the performances while criticizing the screenplay. Sangeetha Devi Dundoo of opnied that “This isn’t to say that this is a sub par film. But with a little more thought, it could have been way smarter. Despite these niggles, there’s plenty going for “. Giving a rating of 3.5 out of 5, Neeshita Nyayapati of wrote: ” might not have a story that’s completely out of the box but the staging does have the potential to bowl you over. Barring the underwhelming aspects, give this one a chance this weekend if you’re longing for something that’s well-made and backed by a stellar cast”, appreciating the acting performances of Nani and Sai Pallavi, and the story. Calling it “engrossing”, ‘s Sowmya Rajendran too gave a rating of 3.5 out of 5. She has praised the screenplay, story, direction and acting by the ensemble cast, commenting that “Sai Pallavi is the show-stealer, performing a role that’s tailor-made for her”. Manoj Kumar R of called the film “a revolutionary romantic tale”. He finally wrote: “To director-writer Rahul Sankrityan’s credit, the film’s hero lives and fights by the pen, instead of resorting to violence. The period portions of the film is a sight for sore eyes. The retro look of Nani and Sai Pallavi oozes charm. Pallavi’s classical dance performance draped in a red saree is a sight to behold. Just her presence on the screen elevates a scene to another level”. ‘s Sankeertana Varma praised the technical department of the film stating: “Navin Nooli’s editing, too, helps intertwine the two timelines to give the viewer a glimpse into Vasu’s psyche—what he is seeing and how unclear it all is. Sanu John Varughese’s cinematography and Kolla Avinash’s production design shoulder the film as well. While Sanu’s camera daftly manoeuvres between the two timelines—the way Sai Pallavi’s introduction song is shot, choreographed, and cut needs special mention, Avinash’s period detailing does transport the viewer to a time gone by”. Writing for , Janani K said that “Cinematographer Sanu John Varghese’s visuals, especially in the period portions, are exceptional. Music by Mickey J Meyer tugs at our heartstrings. Shyam Singha Roy could have been a taut and crisp story about reincarnation. Since it takes a familiar route, the overall effect takes a dip”. Prakash Pecheti of felt that the film falls short of becoming a masterpiece. He further wrote: “‘Shyam Singha Roy’ would’ve been an engaging one if characters had some depth in establishing them. One might even think that a realistic approach might have fetched the story well”.</p>