Kasturi Nivasa

<p>Ravi Varma, owner of a matchbox factory is a and has lost his daughter in an accident. Recognising that his honest employee Chandru is in a similar position, he decides to help Chandru financially. As Chandru attends training in the US, Ravi takes care of Chandru’s charming daughter. On return, Chandru suggests changing the company’s structure. Ravi, who is a traditionalist becomes infuriated. Protesting this, Chandru resigns and starts his own matchbox company and becomes the leading matchbox manufacturer. Ravi has planned to propose to his secretary Neela, but when she seeks his permission to marry Chandru, he blesses her. Facing financial losses because of excessive charity, Ravi puts up his house for sale. Chandru calls for the highest bid to give it back to Ravi, but Ravi does not accept. Circumstances lead to Ravi’s downfall. The film ends on a tragic note. Neela requests him to give her the dove for her sick daughter. But Ravi has just sold the dove, to prepare a meal for Neela. Unable to say no to a request he breathes his last. The story written by G. Balasubramanium had been bought by film producer Noor for 25,000 wanting to make a film in Tamil with However, Ganesan was reluctant after hearing the story, considering that the film had a tragic ending with the protagonist dying. In early 1971, Kannada screenwriter Chi. Udayashankar and ’s younger brother S. P. Varadaraj chanced upon the project. Eventually, they coaxed (B. Dorai Raj and S.K. Bhagavan) to listen to the story. Upon hearing the story, Dorai–Bhagavan, were interested in making the film with Rajkumar under their banner Anupam Movies. The director duo was not sure if Rajkumar would accept the role. Rajkumar was then convinced by his brother Varadappa, following which the rights were bought from Noor by Dorai–Bhagavan for 38,000. Rajkumar received a remuneration of 15,000. Filming done in and in , was completed in 19 and a half days, having spent 3.75 lakh. The dove bird used in the film was bought for 500 from outside the erstwhile . When filming began in 1971, was initially to have been shot in colour. On the second day of filming, the producer asked the team to stop filming on its second day and was adamant about filming it in colour, in spite of having a black-and-white set of 1.25 . He felt the film must be shot in , and said he was ready to incur an additional expenditure of 5.5 lakh. But Rajkumar felt it should go on as conceived. Finally, Rajkumar on insisting Gowda that money not be wasted, the filming resumed in black-and-white. The music was composed by . The album consists of six tracks. The songs “Aadisidaata” and “Aadisi Nodu Beelisi Nodu” were written by , who also wrote the film’s screenplay. On the final day of the re-recording, while scoring the background music for the climax, , assistant to Venkatesh, felt free verse would enhance the mood and add additional depth to the situation. Immediately, Udayashankar was called and made to listen to the tune on violin, he then wrote the lyrics for song “Aadisidaata” which Venkatesh himself sang. The song “Nee Bandu Nintaaga” was loosely inspired by “Yeh Dil Diwana Hai” from the 1970 Hindi film . The song “Aadisi Nodu Beelisi Nodu” also features as a background score in the 2025 -language film . The film stresses the principle that “life is to give—not to take”. The role of Ravi Varma, the protagonist played by Rajkumar is a character who upholds the values of life even it means his destruction; a person who is keen on retaining his character’s purity and those morals he has cherished. Ravi Varma led a lonely yet righteous life. He did not break his principles even as it led to his downfall. Hita Prakash of praised the film for portraying the nuances of leading a righteous yet lonely life. It was also praised for chartering the rise of new order – the relevance of modern manufacturing techniques and the loss of class divide with an associated loss of morals. Sivaji Ganesan was all praise for Rajkumar’s performance in the film. The film got an average response in its initial run of nine weeks. However, it picked up soon and went on to complete 175 days at several centres across Karnataka with a 100-day run at 16 centres in . Learning of the film’s success, Sivaji Ganesan purchased the remake rights for 2 lakh. The Tamil version of , directed by , was (1975). was Rajkumar’s second film to be colourised and then theatrically released, after (1965), a colourised version of which was released in 2008. The project to colourise was taken up by its producer . With parts of the film’s damaged, the first step in colourisation involved procuring the archival print from the Karnataka film archives. Bits of the negatives were then procured from other sources and spliced together to restore the original quality of the film (in black-and-white). The colourisation work was carried out by 60 personnel for a period of 20 months, who coloured each of the 215,000 of the original film. The music of the film was also recreated. The audio of the film stored digitally was converted to . With the work 70 per cent completed, Gowda died in October 2012. Following his death, his son K. C. N. Mohan took over the project. Speaking of colourising the dresses in film’s frames, he said, “We had to take into consideration the costumes of the 1970s. We used a software which gave us the nearest-matching colour.” The black-and-white film was first saved in digital format before removing the scratches, dots and rainy lines from it. Based on the grey scales, colours were then added using a for the first time for an Indian film. The colourised film has a of 24 per second. The project was completed at a cost of (US$240,000). The colourised film released on 7 November 2014, in over 100 prints in . Upon the theatrical re-release, the film opened to a good response from the audience. It opened to packed audiences in the initial weeks of its release, performing well in both single screens and multiplexes. Competing against other films that released during the time of its release, the film performed well and trade analysts speculated a 2 revenue in its first week of re-release. Film critic Shyam Prasad S. of remarked that the coloured version “retains the charm of the old world films.” He further added that “the colouring was not a restoration work. It has made the classic even better. It highlights minute details like the torn wool and discoloring of the torn part of the tattered suit in the latter half of the movie.” Following a good response at the domestic box-office reports, in late November 2014 the film was screened in six cities in the United States. The film is considered to be a milestone in . The role of Ravi Varma, the protagonist played by Rajkumar is a character who upholds the values of life even it means his destruction; a person who is keen on retaining his character’s purity and those morals he has cherished. The character became an inspiration for the protagonist, Siddhartha of the 2017 film which starred Rajkumar’s son . “Every character played by Dr Rajkumar… Some roles like that of Rajeeva’s character in and the one in , have attained greatness due to this. They are considered to be the topmost films in Dr Rajkumar’s career. This is also one of the reasons why the recently released film featuring , has great similarities of those selfless acts of Annavru in Kasturi Nivasa and this instantly connected with the audience”, said film historian Srinivas. The film was also noted for featuring the dove which has over the years attained a cult status and is noted for its special connection with the . Puneeth Rajkumar can also be seen with a dove in . , Rajkumar’s eldest son was also seen with a dove in the 2022 film</p>