Sadma

<p>Nehalata, a young woman, has a car accident while returning from a party and is hospitalized with severe head injuries. When she recovers, she is diagnosed with . Having mentally regressed to the state of her 6-year-old self, she fails to recognize her elderly parents. While she is undergoing treatment, she is kidnapped and sold to the madam of a brothel.<br /> Somprakash, also known as Somu, visits the brothel with his old friend to relax. The madam sends Nehalata, renamed Reshmi, to his room. Somu realises that she is mentally a child and pities her upon learning how she came to the brothel. He questions her about her family and background, but due to her condition she is unable to reveal enough information for him to locate her parents. Somu rescues Reshmi from the brothel, under the pretense of a pleasure trip. He takes her to his home in Ooty, where he works as a school teacher. His elderly neighbour, whom he refers to as Grandmother, helps him care for Reshmi. Although Somu is aware of Reshmi’s physical beauty, their relationship is strictly that of a child and protective caregiver and she becomes trusting of him. Their bond is briefly threatened when Reshmi accidentally spills ink over Somu’s documents, angering him, but they reconcile. Later, a local woodcutter named Balua lusts for Reshmi and nearly assaults her, but she manages to save herself. When Somu learns of it, he becomes livid with rage and almost kills Balua. In a side plot Soni, the lonely younger wife of Somu’s middle-aged headmaster, repeatedly attempts and fails to seduce Somu, who does not reciprocate her feelings. Reshmi’s father, who was searching for her through the police, releases a newspaper advertisement about her. He is given a lead by a co-passenger of the train that Somu and Reshmi had taken to Ooty. Meanwhile, Somu takes Reshmi to a medicine man and leaves her with him for a day’s treatment. The police arrive at Somu’s house searching for Reshmi, eventually tracing her to the medicine man’s home. Somu, fearing police action, does not follow them there. The treatment is successful, with Reshmi (now Nehalata again) regaining her memory, recognizing her parents and completely forgetting the period between her accident and recovery. She and her parents rejoice and prepare to leave Ooty. The medicine man informs her father that the man who had brought her to him had been taking good care of his daughter; her father withdraws his police complaint and the family begin their journey home. After the police leave, Somu chases the car in which Nehalata is traveling, falling and severely injuring himself in the process. Covered in mud, he limps after them to the railway station and tries to get Reshmi’s attention at her train seat window, but she does not remember him. Somu repeatedly calls out to her and mimics a dancing monkey that she had developed a liking for but Nehalata, unable to comprehend, thinks he is insane and begging for food. He continues his futile attempts, but the train eventually leaves with Nehalata not recognising him. Somu is left alone at the station, heartbroken. The music was composed by , in his Bollywood debut, and the lyrics were penned by . Ilaiyaraaja retained two of his compositions from the original version. The song “Vaanengum Thanga Vinmeengal” was tuned differently for the Hindi version as “Yeh Hawa Yeh Fiza”. The song “Narikkathai” was replaced with the song “Ek Dafa Ek Jungle Tha” in the Hindi version. The song “Poongatru Puthithanathu” was replaced with slightly different “Ae Zindagi Gale Laga Le” which itself also was used in 1984 Tamil movie sung by SPB. “Ae Zindagi Gale Laga Le” was first remade for the film (2013) by Atif Afzal. It was again remade for the film (2016) by Amit Trivedi. Music director worked as a keyboard player for this film. was released on 8 July 1983. In 2015, was screened at the Habitat Film Festival. received widespread critical acclaim with major appreciation drawn towards Sridevi’s performance. It is included in iDiva’s list of ’10 Must Watch Movies That Weren’t Blockbusters’. Sridevi’s performance as a child-woman suffering from amnesia was called by of Sadma Sadma Sadma</p>