Paap

<p>The story is about a young girl, Kaaya ( ), living in the beautiful serene valley of , waiting to join a monastery—an idea that has been fed to her since childhood by her father ( ) and one that she has never questioned. When Norbu ( ), a senior lama from the monastery, has a dream that the Buddhist teacher, , has been reborn, he sends Kaaya to to bring him back to the monastery. Kaaya goes to Delhi and manages to get the child, but just when they are about to return home, the child witnesses the murder of a police officer in a hotel. The investigations are taken over by another police officer, Shiven ( ), who prohibits Kaaya and the young boy from returning home. During this time, the boy identifies Raj Mehra ( ) as the murderer. Soon Shiven finds himself in a web of intrigue and deceit where he can trust no one. He is forced to make an escape to Spiti along with Kaaya and the young boy,  whom he is now determined to protect. Shiven has, however, seriously been injured, and upon reaching Spiti, he has to undergo treatment at Kaaya’s home. While nursing him back to health, Kaaya is attracted to Shiven, an exciting feeling she has never experienced before. Shiven too finds himself drawn to Kaaya, a girl unlike any he has ever known. Kaaya is caught in a dilemma, for she has too long subdued her basic instincts and desires in her search for the ‘ultimate truth.’ A sexual attraction is one that her conditioned mind sees as a sin (paap), but one she cannot deny. Shiven sees this dilemma and tries to show Kaaya that there is a life out there for which she has a full right to live. In the meantime, Kaaya’s father finds out about what has been going on under his roof and is furious with Shiven. He sees Shiven as a polluting influence upon his peaceful life, a man who has brought defiling things like pistols into their home. At this juncture, Shiven’s past catches up with them, and Mehra’s men are close on his heels. After much chaos, finally, Shiven and Kaaya are shown reuniting with the passionate kiss in the climax. The film became the first Bollywood film to be premiered at (KARA) on 20 December 2003. It was commercially released on 30 January 2004. The film’s music was by , Shahi, , with several instrumental tracks by Music Mashrooms. The soundtrack featured several instrumental pieces as well as song, notably the hit songs by , the lead vocalist of the Pakistani band, and noted Sufi singer also from Pakistan, ‘s, , which also marked his debut as a . The songs have been written by Sayeed Quadri, Sabir Zafar, Ali Azmat, Amjad Aslam Amjad. was nominated for for the song “Intezaar”. The film received mixed reviews. Sukanya Verma of wrote “Frankly, I had expected something more hard-hitting from this articulate actress turned filmmaker. Although Bhatt maintains an intense mood throughout, Paap isn’t sinful enough.” of gave the film 2.5 stars out of 5, writing “On the whole, PAAP satiates the appetite of the urban audience looking for a story-based fare. At the box-office, the film should find patronage at multiplexes of metros mainly. For those looking for typical Bollywood masala fare, PAAP has very little to offer. Also, lack of aggressive promotion may curtail its business to an extent!.” Manish Gajjar of wrote “On the whole Paap is different from the regular Bollywood pot boilers. Its different, it’s daring but, definitely not sinful.”</p>