Ekk Deewana Tha (2012)

Ekk Deewana Tha

/5
Directed by Gautham Vasudev Menon • Music: A. R. Rahman

Soundtrack

Storyline

<p>Sachin Kulkarni ( ) is a student of mechanical engineering in who aspires to become a filmmaker. His friend introduces him to cinematographer Anay ( ). With Anay’s help, Sachin becomes an assistant director. Sachin’s family, who are Brahmins, rent Jessie Thekekuttu’s house. Jessie ( ) is from a conservative “Nasrani” family from , Kerala, that lives upstairs. Sachin falls in love with Jessie the moment he meets her. He tries to interact with Jessie, who is afraid of speaking to men around her strict father and ends up angering Jessie. Unable to hide his feelings for her any longer, Sachin confesses his love for her, to which she does not respond. A few days later, Sachin learns from his sister that Jessie has gone to Kerala to visit her grandmother. He, along with Anay, ends up in Kerala to look for her. After several days, he finds her and apologises. She introduces him to her family in Kerala as her “classmate.” Jessie denies she has any feelings for him but agrees to be his friend. On the train journey back home, however, the two get closer and share a passionate kiss. Sachin is convinced Jessie loves him; the two meet several times, and Jessie begins to admit that she also likes Sachin but wants to refrain from any problems because she knows her father wouldn’t give her hand in marriage to a Hindu. Consequently, due to various misunderstandings between Jessie’s brother and Sachin, her parents learn of their supposed affair. They arrange her marriage with someone else and fix a wedding date. The day arrives, and midway through the ceremony, Jessie refuses to marry the groom, displeasing everyone in her family. Sachin, who had, without anyone’s knowledge, come to Kerala to witness the wedding, is ecstatic and secretly visits Jessie at her home. It is then that Jessie admits she has indeed fallen in love with him. Sachin and Jessie continue to meet each other without their parents knowing. At this point, Sachin goes to Goa on a forty-day shoot, where he gets busy. Meanwhile, the topic of Jessie’s marriage comes up again at her home when the man whom she refused to marry earlier pays them a visit. Panicking, Jessie calls Sachin and tells him that she wants to elope with him. Sachin, who is travelling through less than ideal places, tells Jessie to stay in Mumbai for now and that soon he will be back and they can discuss. Jessie stops taking Sachin’s calls, so he goes back one night to check on Jessie. He learns that Jessie has decided to break up, as the relationship is not peaceful due to her parents’ disapproval. She says she has agreed to marry a boy of her parents’ choice. When Sachin pleads with her not to do it, she tells him that a time had come when she was willing to elope, but the moment was gone. She doesn’t want Sachin to wait for her, as he has his dreams to fulfill. Sachin later learns that she is married and settled abroad. Two years later, Sachin meets Samantha. She falls in love with him but is rejected by Sachin, who hasn’t yet gotten over Jessie. He then comes up with a script for his first film, which happens to be his very own love story. He calls upon an actor as the film’s protagonist, Samantha as the female lead, and Anay as the film’s cinematographer, and the film is eventually titled . While shooting for the film in , he sees Jessie, and she comes to speak with him. She admits that she is not married and is still in love with him, and he too says she is still in his heart. Sachin proposes yet again, and they get married the same day. This is actually revealed to be the climax in Sachin’s film, which Sachin and Jessie in real life are watching together in the theatre. After the film ends, Jessie praises Sachin for his efforts, and the latter agrees to drop her home, implying that they have reunited. Gautham Menon started working on , the Hindi remake of his Tamil film , in 2010, and his Telugu simultaneous version , with Prateik Babbar and Amy Jackson starring (for the Hindi version). and were considered to have changed the images of their lead actor pairs – and – respectively. Though, the Hindi remake initially had Trisha Krishnan reprising her role from the Tamil version, the actress was dropped from the project after a photo shoot and replaced by , who shot to fame with the Tamil film . Gautham Menon was trying out a ‘look shoot’ at the same locations where he shot and , including a popular seaside restaurant on ECR, Chennai. A source close to the director said, “This shoot was just to get the ‘feel’ of the film. The actual shoot will take place in Mumbai from next month.” According to the sources, A R Rahman’s original tunes will be retained for as well, while the film also features Gautham Menon’s regular technical team, consisting of art director and editor . Noted poet, story and screenplay writer, Javed Akhtar recently was in Chennai, supervising the script and writing the lyrics for the film. A source close to the development said, “Javed saab and Gautham hit it off well. The lyricist’s inputs will be taken into consideration as Gautham is particular that his film should not come across as a routine South Indian remake.” Amy Jackson, playing a Christian in the film, said, “I’m very kicked about working with Gautham Menon. I’ve seen VTV [ ] at least 15 times. is a perfect launch pad for me in . He is a perfectionist and I know he will shape my character according to the needs and tastes of the Bollywood audience. I’ve begun the first schedule of the film and I’m planning to hire a Hindi tutor to help me sail through it.” The shooting of the film was to start in late-2010 but Prateik Babbar was busy with the promotions of . Finally, the shooting of the film commenced in April 2011, with the entire cast and crew of the film in . The shooting of the film progressed in various localities in Mumbai and the team went down to and began the second schedule there in May 2011. The crew later went to in June 2011 to shoot few important scenes in Amethyst, Chennai, while, some of the songs were shot in , Chennai. In July 2011, after the shooting of the film in Chennai was completed, the next schedule of the film was started at The , , while the shooting of the film was also held in . In 2011, the team moved to Goa to film the song sequences for “Hosanna” and “Phoolon Jaisi”, choreographed by Flexy Stu. Singer dubbed for the female lead, reprising her role from the Tamil and Telugu versions where she dubbed for Trisha and Samantha, respectively. The for is composed by , retaining the same tunes from along with few additional tracks – “Kya Hai Mohabbat” ( ), “Jessy’s Driving Me Crazy” (Sanjeev Thomas & Timmy) and three instrumental tracks – “Broken Promises” (Shreya Ghoshal), “Moments in Kerala” and “Jessy’s Land”. The track “Dost Hai (Girl I Loved You)” is a remixed version of its Tamil original Kannukkul Kannai. The soundtrack album consists of lyrics penned by , collaborating with Gautham Menon for the first time. The soundtrack album was released at a luxury hotel in , by A. R. Rahman on 21 December 2011. The film was released on 17 February 2012, in a unique way with a number of different endings. Notably, in Tamil, had the leads part ways whereas in , the lover birds unite. The mainstream ending was released across 500 screens in India, while the director’s cut, with a different climax, was released in 20 select theatres across the country. The director’s cut showcased a coming-of-age love story while the ending for the mass release had a conventional feel-good ending. A month before the film’s release, a group from the Christian Secular Forum (CSF) in strongly objected to the song ” “. According to them, is a sacred term in the Bible that is used by both Jews and Christians while praying, while in the film, the same term was used in a romantic sense. They demanded removal of the song, as well as an “apology for disrespecting the word”, and threatened to take legal action against the film if the song was not edited out of the film’s final cut. To this, music director Rahman responded, “As with any film project I work on, I had spent several months researching before composing/writing all the songs for [ ] and had consulted friends who are Christian in particular about the use of the word ‘Hosanna’ in this song. The song was a sensation when it was released in the South a couple of years ago and it went on to win all possible music awards and was well received by all communities! Therefore I am deeply concerned about the sentiments of all those who appear to be hurt by this song.” received mixed reviews upon release. Avijit Ghosh of gave the film 3 stars out of 5 saying, ” has its moments but it doesn’t really put you in the mood for love.” of gave the film 2 stars out of 5, and said, “On the whole, has a few sparkling moments, that’s about it. However, it lacks the fizz for the spectator to go deewana!” from also gave the film 2 stars out of 5, saying, ” stubbly guy-next-door, helplessly in love with the feckless was the highlight, apart from its lovely songs, of VTV [ ]: where did all the passion go in ?” of too gave the film 2 stars out of 5 saying, “This Hindi remake is a disappointing bore of a love story that tests your threshold for pain as it hobbles along indulgently for close to 2 hours and 40 minutes.” gave the film 2 stars out of 5, and concluded that, “All in all, is a movie that seems to have been lost in translation. However, Prateik deserves praise for his efforts.” Blessy Chettiar of gave the film 1.5 stars out of 5, concluding saying, “A simple and sweet story treated badly. Skip. Simple.” for Koimoi.com gave the film a single star out of 5, blaming the routine story, the weak screenplay and lack of feeling of empathy for the two lead characters. Preeti Arora of feels that , Gautham Menon’s Hindi remake of his hit Tamil film , lost quite a bit in translation. She gave the film 1 star out of 5. Shubha Shetty-Saha of too gave the film 1 star out of 5 saying, “No, the story is not really as bad as it seems. With better direction and perhaps a little more sensitivity and with a faster pace, and better actors (oops, are they too many conditions?), it might have worked.” of again gave the film 1 star out of 5 saying, “We’re beyond midway through the movie: chuck chemistry, all you’re wondering is what the hell’s the story.” of too gave the film 1 star out of 5, and said, “We are supposed to feel the longing he has for Amy. We only feel the irritation. Get on with it guys you want to say. Come to the point. By the time they do you are exhausted, and want to do what Prateik says Amy’s character did to his feelings-showed him the middle finger. So there.” Kunal Guha of gave the film rating, and said, “it is in fact the iceberg that makes this painful love story crash as we endure the burn.” The opening day at the box office saw only 5–10% occupancy in cinemas. On Saturday, the film collected just (US$89,000) nett. The film on Sunday collected (US$110,000) nett, taking its total first weekend collection to (US$280,000) nett. Its gross collection for week one stood at (US$630,000) nett. The film was declared a flop by .</p>

Details

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Genres: Drama,
Romance
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Writer: Minnale, (2001), Rehnaa Hai Terre Dil Mein, (2001), Kaakha Kaakha, (2003), Gharshana, (2004), Vettaiyaadu Vilaiyaadu, (2006), Pachaikili Muthucharam, (2007), Vaaranam Aayiram, (2008), Vinnaithaandi Varuvaayaa, (2010), Ye Maaya Chesave, (2010), Nadunisi Naaygal, (2011), Ekk Deewana Tha, (2012), Neethaane En Ponvasantham, (2012), Yeto Vellipoyindhi Manasu, (2012), Yennai Arindhaal, (2015), Achcham Yenbadhu Madamaiyada, (2016), Sahasam Swasaga Sagipo, (2016), Enai Noki Paayum Thota, (2019), Karthik Dial Seytha Yenn, (2020; short film), Putham Pudhu Kaalai, (2020; segment:, Avarum Naanum – Avalum Naanum, ), Kutty Story, (2021), Vendhu Thanindhathu Kaadu, (2022), Joshua: Imai Pol Kaakha, (2024), Dominic and the Ladies' Purse, (2025), Dhruva Natchathiram, (unreleased)
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Producer: Gautham Vasudev Menon, Elred Kumar
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Music: A. R. Rahman
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Cinematography: M. S. Prabhu
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Release Date: 16-Feb-12
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Edited By: Anthony Gonsalves
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Budget: 14
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Production Company:
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OTT Platform:
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Runtime: 2h 17m
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Language: Hindi
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Box Office: Default Profile
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Other Languages:
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Screenplay: Javed Akhtar, Manu Rishi, (dialogues)
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Censorship:

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