Aligarh

<p>of the criminalised sexual activities “against the order of nature,” which included homosexual acts. On July 2, 2009, the declared Section 377 unconstitutional, effectively decriminalising homosexuality. On February 8, 2010, in , ( ), an esteemed professor at , returned home at night in a rickshaw. Later, Siras and the rickshaw puller went to his apartment, where two TV journalists forcibly entered and filmed Siras engaging in a consensual act with the man. One journalist was armed with a stick, while the other carried a camera. This premeditated sting operation led to Siras’s suspension, and the story made local headlines. The case drew the attention of Deepak Sebastian ( ), a Delhi-based journalist eager for a breakthrough story. With the support of his boss Nameeta ( ), Deepak traveled to Aligarh to investigate. Meanwhile, protests erupted at the university over Siras’s suspension. His colleague, Professor Sridharan (K.R. Parmeshwar), pressured him into writing a letter expressing embarrassment over the incident in hopes of retaining his position. Despite this, Siras faced widespread ostracism, denial of medical treatment, and eventual termination. The university also issued him a legal notice to vacate his residence within seven days, cutting off his electricity despite protests. Deepak, disturbed by the blatant injustice, uncovered evidence suggesting Siras was the victim of a planned operation. Though initially reluctant, Siras eventually confided in Deepak, alleging that jealousy among colleagues motivated the smear campaign. He recounted how two individuals stormed his apartment armed with a camera and sticks, filmed him, and physically assaulted him, followed by four colleagues entering without permission. Back in Delhi, gay rights activists (Nutan Surya) and Arvind Narayan ( ) offered legal support, confident after the Delhi High Court’s Section 377 ruling. Siras was represented by Advocate ( ), a key figure in the earlier decriminalisation case. Forced to leave his university-provided housing, Siras moved to private accommodation. Legal proceedings began in March 2010. The university presented the coerced letter of embarrassment as evidence, while Siras’s colleagues refused further assistance. Deepak pursued leads, suspecting that Irfan (Prashant Kumar), the rickshaw puller present that night, was part of the conspiracy. However, Siras expressed trust and affection for Irfan. In court, the prosecution focused on framing Siras’s consensual relationship as immoral and criminal. Despite this, Siras eventually won the case, and the court ordered his reinstatement. Deepak congratulated Siras, promising to celebrate together. Tragically, the next day, Siras was found dead in his apartment. Police discovered traces of poison in his blood but ruled out foul play. A few years later, the Supreme Court reinstated Section 377, re-criminalising homosexuality in India. was Hansal Mehta’s first choice for the role of Ramchandra Siras, before Manoj Bajpayee was cast. The film was shot in various parts of Uttar Pradesh including , , , and (C-Block; Sector – Gamma 1). Wherein Greater Noida a small indoor sequence was shot for 3–4 days by Rajkumar Rao. had its European première at the 59th BFI on 10 October 2015. The response was generally superlative and the film garnered excellent reviews. in its review called it a “A subtle, sensitive take on a controversial real-life court case involving the victimization of a gay college professor, Aligarh underscores the growing strength and diversity of Indian independent cinema”. The , in its ‘Whats On’ review of called it “Probably the best film yet on the male experience, Hansal Mehta directs a riveting and nuanced tale that is as touching as it is powerful.” had its India première in Mumbai at the 17th on 30 October 2015. It also has the honour of being the only Indian film to open the festival since its inception. The response was once again overwhelming. Meenakshi Shedde, South Asia Consultant to the and award-winning critic, had this to say about in her review: ” is masterfully directed: it is that rare film that courageously stands for human rights, including those of homosexuals, yet offers a quiet, distilled perspective.” Columnist Aseem Chhabra in his review said “Aligarh is a very important film, a milestone in the history of Indian cinema that should start the much-needed conversation about how India treats a visible and yet often ignored minority group.” Gay rights activist and editor of magazine, , in his Firstpost.com review called “a masterpiece of cinematic skills” and went on to say “What Mehta and writer Apurva Asrani have done is pluck out a commonplace professor in a commonplace university and weave a true life story into a tapestry of terrifying, compelling drama.” gave 3.5 rating out of 5.</p>