Jab Harry Met Sejal

<p>Harinder “Harry” Singh Nehra, is a tour guide in , who hails from the small village of in . Harry had run off to in his youth to pursue a dream of becoming a singer. However, things didn’t go as planned, and he eventually ended up in Europe, where he became a tour guide. Harry, a charming but man, hides a deep sense of loneliness, guilt, and homesickness. He is also a womanizer, though his flirtations and affairs seem more like distractions from his inner emptiness than genuine connections. The story kicks off when Sejal Zaveri, a lively and somewhat naïve lawyer, loses her engagement ring while on a European vacation with her family. After the trip ends, she decides to stay back and retrace her steps to find the ring. She enlists Harry’s help, much to his reluctance, as he sees her as an unnecessary inconvenience. Together, they embark on a journey across Europe, visiting cities like , , and . Along the way, Harry and Sejal’s contrasting personalities spark both comedic and heartfelt moments. Harry’s world-weary cynicism clashes with Sejal’s headstrong, carefree demeanor. Gradually, Harry starts opening up, and Sejal begins to see the cracks beneath his confident . Their playful banter grows into a deeper connection as they spend more time together. During their search, they learn that the ring is with an illegal immigrant and small-time criminal, Ghyassuddin “Gas” Mohammed Qureshi, who is based in . When they confront Gas, Harry ends up getting beaten by his men. Sejal looks through her bag for antiseptics in order to treat Harry’s wound. To her shock, she finds the ring, realizing it was in her bag all along. However, she doesn’t tell Harry, as she doesn’t want their journey—and her growing closeness to him—to end. This moment marks the beginning of Sejal realizing her feelings for Harry. After escaping from Gas and his men, they both share an intimate moment. But Harry decides to do the right thing and not cross the line because Sejal isn’t the same as his previous distractions. The next day, Sejal insists Harry that they go to to attend his friend Mayank’s wedding with Irina. Though hesitant, Harry eventually agrees. At the wedding, Mayank and Irina notice the chemistry between Harry and Sejal and question them about their relationship. Later, Harry and Sejal get into a heated argument about where they stand; Harry denies living in delusion knowing the hurt it will cause him if and when Sejal decides to leave for home. Sejal prompts Harry numerous times to admit what he truly wants, but Harry, weighed down by an , refuses. He dismisses the idea that someone like Sejal could ever leave her fiancé for a man like him—a mere tour guide. After the argument, with Harry not admitting his true feelings and her sister and fiancé asking her to forget the ring and return home, Sejal decides to fly back. She asks Harry to book a flight for the next day. Harry is heartbroken even though he had anticipated her leaving, but once again, he decides to do the right thing. The next day, Harry accompanies Sejal to the airport. Before boarding, Sejal reveals that she had found the ring in her bag a couple of days ago. Harry, masking his pain, bids her a bittersweet goodbye, asking her to take care of herself. After Sejal leaves, Harry struggles to return to his old life. He becomes distracted at work, often zoning out and thinking about her. Mayank, noticing Harry’s turmoil, advises him to let her go, reminding him that he never confessed his feelings. Spurred by Mayank’s words and a sudden desire to take a leap of faith, Harry decides to go to India and tell Sejal how he feels. He arrives at the venue of her wedding, only to learn that the marriage has been called off. Stepping outside, he finds Sejal sitting alone in the hope that she might find him there. They finally share their true feelings for each other and in an intimate moment, decide to get married. As a couple, Harry and Sejal visit his village, Nurmahal, in Punjab. In an emotional homecoming, Harry reunites with his family, whom he had left behind years ago. The movie ends with the profound lines from , “What you seek is seeking you” translated into Hindi and used in a celebratory song as the credits roll over, marking a joyful conclusion to their journey. Ali initially offered Khan a different script involving a man who was suicidal, which Khan rejected, asking for a happier script, leading to Ali offering Khan instead Production of the film began in April 2016 and plans to filming were announced in the first part of August 2016, when the film had the working title “Production No. 52”. Sharma required several months of diction training to prepare herself for her role, as her character is from . She describes her character as “very superficial, doesn’t have any depth as a person. There is no similarity with me. But her morals and values of self-respect are something that I can relate to. But otherwise, the character is quite impulsive by nature.” The film underwent a lot of name changes throughout its production phase from to to until it was finalized with . When the title of the film was finally revealed, it received considerable backlash from people who accused that it must be a copy of the iconic 1989 Hollywood romantic comedy or that it must have been inspired by it. However, contrary to popular beliefs, the two films have no similarity or connection with one another except both fall under the same genre and the two protagonists start off as strangers. Khan explained, ” is one of the greatest love stories ever made in the history of world cinema. Our film on the other hand, is quite original, a fun space love story by Imtiaz Ali. But it is a takeoff from there as that film is a classic. It is a way to attribute.” In an interview with , Khan discussed about the possible epilogue of the film; the couple had three children and moved to a small town for some time. Sejal then works as a lawyer while Harry takes time off and writes a book. The former takes the role of a working partner while the latter looks after the children. Filming began in late August 2016 in and continued in & from September 2016. Filming locations include multiple locations in , as well as in . The film’s music was composed by , with lyrics by . The music rights were purchased by . The soundtrack was preceded by five songs that were released as singles — “Radha”, “Beech Beech Mein”, “Safar”, “Butterfly” and “Hawayein” — before the album being released on 30 July 2017. American DJ composed the song “Phurrr” with Pritam, which was released on 3 August 2017 as a single version, and not included in the album. The film version of “Phurrr” is solely composed by Pritam and sung by . was initially set for an 11 August 2017 release. However, it was later moved a week earlier to 4 August eidrelease date in and was pushed from early Thursday morning – which has been the norm for Bollywood films – to Friday evening to prevent pirated versions of the film or its spoilers from getting leaked. However, after a backlash, it was decided to release it on its original release date, 3 August, at 6 pm . The film was released on 3400 screens worldwide. NH Studioz bags the domestic rights along with . Canada distribution rights were bagged by and International distribution rights is . Anita Iyer of rated the film 2.5 out of 5 stars and said, “The film goes through its ebb and flow, and all you can do is enjoy the good bits, till they last.” Manjusha Radhakrishnan of also rated it 2.5 stars out of 5, saying “The climax isn’t ground-breaking, however, the cinematography that highlights the beauty of a handful European countries is pleasing to watch.” gave the film 3.5 stars out of 5 calling it a complete entertainer. Koimoi gave 3.5 stars out of 5, praising the performances and direction. gave the film 3 stars of out 5 and wrote, “Sound advice here would be that you actually buy yourself a tour ticket to Europe and soak in the sights for real. But, if you want to settle for a cheaper option of touring the continent inside a cinema hall, buy yourself a ticket and get transported to the land of make-believe captured indulgently by cinematographer K. U. Mohanan, with the added advantage of a Punjabi ‘munda’ playing your friend, philosopher, lover and guide.” gave the film 3 stars out of 5 stating that, ” is a happy romantic comedy that you can sing and dance along with. Pritam’s music is a stand out feature. The performances are really strong”. gave 2/5 and wrote, “It is cinema’s equivalent of a shiny bauble that glitters wholly in vain. Watch it only if you fancy a vicarious romp through Europe with an off-colour megastar trying hard to get going”. Shubhra Gupta, critic of gave 1.5 stars out of 5 stars while calling it a dud. Giving 2 stars out of 5, wrote, “Lethargic storytelling kills Shah Rukh Khan-Anushka Sharma’s film. It’s a big disappointment to see Shah Rukh Khan returning to his comfort zone and yet not performing on top of his powers.” gave the film 2 stars out of 5 and wrote, ” has its moments. But the film is riddled with cliches and flaws that takes the film down, thanks to the poor script.” of wrote “After successfully exploiting themes of self-discovery in (2007) and (2011), it became clear watching (2015) that Imtiaz may be running out of ideas. There are just so many times you can romanticize self-healing and coming-of-age before it all starts to feel contrived. In the case of this film, frankly Harry and Sejal come off as characters in search of a plot.” of wrote “The problem is that Imtiaz is unable to mould the larger-than-life romantic persona of Shah Rukh into his own more bruised brand of romance. Twenty-two years later, Shah Rukh is still Raj – tender, sensitive and resolutely chaste – at least with the woman he loves.” The film’s box office gross is (US$18 million), including (US$11 million) in India and (US$7.6 million) overseas. The film under-performed at the domestic box office. However, the film was an overseas success, grossing US$10 million overseas, making it the year’s second among Hindi films, behind only , another Shah Rukh Khan-starrer. The film collected ₹15.25 crore on opening day, becoming the lowest opener for a Shah Rukh Khan film in three years. On the second day, it collected ₹15 crores, followed by its third day’s collection of ₹15.5 crores, bringing its first weekend’s collection to ₹45.75 crores, and making it 2017’s sixth-highest first-weekend-collecting Bollywood film in the domestic market. Nevertheless, the weekend box office collection of the film did not manage to cross ₹50 crores, and it emerged as one of the lowest openers of Shah Rukh Khan in recent years. On the first day, the film collected (US$60,000) from 27 screens in Australia, (US$25,000) from 20 screens in New Zealand, (US$130,000) from 104 screens in the United Kingdom, (US$290,000) from 252 screens in the United States and (US$69,000) from 26 screens in . On the second day, the film collected (US$22,000) from 10 screens in Australia, (US$19,000) from 16 screens in New Zealand, (US$140,000) from 105 screens in the UK, (US$300,000) from 251 screens in the US and (US$85,000) from 26 screens in Canada. On the first Sunday, it collected (US$39,000) from 31 screens in Australia, (US$14,000) from 21 screens in New Zealand, (US$94,000) from 106 screens in the UK, (US$190,000) from 249 screens in the US and (US$56,000) from 26 screens in Canada. On the fourth day of release, the film collected (US$8,600) from 23 screens in Australia and (US$4,500) from 18 screens in New Zealand.</p>