Rangoon

<p>In 1943, as the rages on, India is fighting a war of her own: independence from . , founder of the (INA), has become disenchanted with ‘s (non-violent) movement and desires to fight fire with fire. Indian troops in the are locked in pitched battles with both the INA and its Japanese contingent. In one such skirmish close to the , Nawab Malik and a group of fellow soldiers are cornered by the Japanese infantry. Running to escape on a barge, Nawab is shot and captured as a prisoner of war. Meanwhile, the INA’s top brass desperately seeks finances to replenish its heavy ammunition to aid the charge to Delhi. Simultaneously, in India, Julia, a leading film star, is the star performer in a dance troupe that entertains civilians and armed forces. Zulfi is her butler, makeup man, and trusted confidant. Her films are produced by Rustom “Rusi” Billimoria, a former Indian action film star whose career was cut short when he lost a hand in a film stunt gone wrong. Billimoria is on friendly terms with the resident British commander, Major General David Harding, who encounters a gem-encrusted royal sword belonging to a at a gathering hosted by Billimoria. Slighted by the commander’s arrogant demeanor, the King endeavours to send the sword to the Indo-Burma border, where the INA hopes it can fund its artillery program and drive the British out of India. An opportunity arises when Harding proposes dispatching Julia and her troupe to the war-torn border, where he hopes to raise the sagging morale of his troops through her shows. When Billimoria and Julia (who are now in a relationship) object, Harding promises top-grade security and coerces them by threatening to block supplies of from England, as has stopped shipments. Billimoria’s affair with Julia causes rifts in his family, with his wife demanding a divorce and his grandfather concocting a ruse to prevent Billimoria accompanying Julia on the tour. On board the train, Jemadar Malik, who has apparently escaped as a prisoner of war, is assigned as a security detail to Julia, much to her chagrin. Crossing a river, the full complement of passengers and boatmen come under fierce Japanese aerial attack, resulting in numerous casualties. The British assume Julia has fallen, but she has survived and is accosted by three Japanese soldiers. Malik, who has also escaped unscathed, arrives in time to save her from being killed and, in the process, captures one Japanese soldier, Hiromichi, as a hostage to lead them back to the Indian border. Through the rain-drenched jungle and a war zone swarming with enemy platoons, Julia, Malik, and Hiromichi march slowly to their destination. Combing an anti-aircraft bunker, they barely escape a booby trap, with Malik furious at Hiromichi for leading them into an ambush. As Julia’s gentleness and compassion counteract Malik’s battle-hardened cynicism and aggression, the two fall in love. Back in India, Harding again proposes that Julia, now engaged to Billimoria, be dispatched to the front lines, with gun protection this time. Julia continues to exhibit feelings for Malik: she endorses him for the prestigious medal and deliberately forces him to volunteer for a stage show. Billimoria begins to have suspicions about her behaviour, which are confirmed after one surreptitious and passionate episode between Malik and Julia during an air raid. Desiring vengeance, Billimoria volunteers as a stagehand on Julia’s next show and, after a tense routine, indirectly reveals that he is aware of her infidelity and ready to engage in a fight-to-the-finish with Malik. Meanwhile, Zulfi, who has also survived the earlier raid and is in reality a spy for the INA, has been entrusted to take the sword back to the INA by Mema, an INA agent in the British ranks, and Malik. It is then revealed that Malik did not escape his captivity in Rangoon but was freed by the INA, who enlightened him about the evils of British rule in India, thereby enlisting him in the Gandhi regiment of the INA. Convinced of the cause and endowed with a fresh purpose, Malik clandestinely meets Julia before a show and delivers final instructions to Zulfi, who takes up a position outside her tent. Major Williams racially insults Zulfi after trying to forcibly enter Julia’s tent to make her begin the show. Infuriated and inebriated, Zulfi hurls derogatory threats to the British on the radio during Julia’s show. The outburst is heard by Billimoria, Harding, and other British soldiers, who rush to uncover the offensive culprit. Zulfi pleads guilty in Julia’s presence on the stage but is shot dead by Williams, while Harding discovers Zulfi possessed a British Army officer’s pistol. Distraught, Julia protests Billimoria’s decision to not give Zulfi a proper burial as another member of Julia’s troupe covertly abets Malik in a show of weapon check. As night falls amid torrential downpour, Julia and Malik give Zulfi a proper burial, musing over loyalties and motivations. During an attempt to arrange a rendezvous for transferring the sword with the INA via a letter, Malik and Mema are caught by Julia, who accuses Malik of betrayal. Torn between his feelings for her and his cause, Malik retorts by saying Julia is blinded by what she sees and the truth is lost on her. The letter reaches the INA, but Mema is trapped by the British while relaying messages. The next day, Harding blackmails Mema into revealing her co-conspirators by threatening to kill her son, at which point Malik discloses his true allegiance. Singing the INA anthem, Malik marches up defiantly to Harding, who signals Williams to shoot Mema dead. Enraged at this callous attitude, Malik lunges at Williams but is captured and tortured by his former comrades. Horrified at this sequence of events, Julia turns a new leaf: she extracts Malik from a train bound for Delhi and resumes Zulfi’s journey in getting the sword to the INA. At the bridge where the sword is to be handed over, Malik and Julia are cornered by the British. Malik convinces Julia to cross the bridge by covering her. In the ensuing gunfight, Malik is seriously injured by mortar fire while Billimoria arrives with British reinforcements. Harding tries to dissuade Julia from crossing the bridge with another false promise, but the mortally wounded Malik defies him by walking across the bridge and sacrifices his own life so that Julia can continue. Harding orders the bridge be blown up, causing grave injuries to Julia. Seeking to redeem himself, Billimoria asks Julia for her last wish, who appeals that he continue her task of delivering the sword to the INA before falling to her death. Unsheathing the shining sword, Billimoria massacres the rest of the British troops on the bridge, decapitates Harding, and walking on the rope delivers the sword to the INA. The film ends by proclaiming the INA raised the Indian flag in 1944. was supposed to shoot the film after (2006). However, the film was stalled for unknown reasons. It was previously titled . The screenplay was written by , who previously collaborated for (2011). The film’s shooting began on 18 November 2015 in . Many artists from , joined the crew for the first shift. In mid January, the film’s shooting was halted due to an injury to Shahid Kapoor and a Japanese actor. Kangana Ranaut travelled to to research her role, and then headed to an island in to learn solo living. The film was released on 24 February 2017. Upon its release, the film received positive reviews, although ‘s performance as Julia was widely praised as the strength of the film. The film failed to find a wider audience and was one of the biggest flops of 2017. The film is also available on . Upon release, received positive reviews from the film critics, with major praise drawn to Ranaut’s performance. On the website , the film holds a rating of 55% based on 11 reviews and an average rating of 6.1/10. of gave the film a rating of 4/5 and wrote, ‘‘ is an epic love saga with strong strong emotional quotient, riveting second hour and nail-biting finale. Watch it for its layered plot, serpentine twists, proficient storytelling and bravura performances, its a content-driven film that’s worth a recommendation’’. Praising Ranaut’s performance he further wrote, ‘‘Kangana portrays the lifeline of Rusi and Nawab with commanding authority; She owns every sequence she appears in, she makes every moment come alive with a memorable act. What’s noteworthy is that Kangana is effortless and stands tall in the most challenging sequences’’. Raja Sen from gave the film a rating of 4/5 and wrote, ‘‘ haunts in unlikely fashion and, while the director’s most straightforward picture, holds enough of its own marvels to justify multiple viewings’’. Praising Ranaut’s performance he further wrote, ‘‘Kangana Ranaut is extraordinary as she rides and throws and dances with aplomb in what is physically an immensely demanding part. Ranaut looks like she knows how to actually crack a whip instead of just hurl one around, and acquits herself admirably in old-world stuntwoman sequences, all the while playing the part with enough vulnerability and insecurity to mark Julia out as a confused girl who doesn’t quite know what she’s doing’’. Devarsi Ghosh of gave the film a rating of 3.5/5 and wrote, ‘‘ is gorgeous-looking film with great cinematography, fantastic sound design and marvellous choreography’’. Ujala Ali Khan from gave the film a rating of 4/5 and wrote, ‘‘The breathtaking cinematography and attention to detail in the film are remarkable; Cinematographer Panjak Kumar does a great job of delivering a believable peak into the past, and the leading trio slip effortlessly into their roles’’. Praising Ranaut’s performance she further wrote, ‘‘The standout star is without a doubt Ranaut who does complete justice to Julia and, just like , takes your breath away with her stunts; Queen Kangana proves that she is here to stay’’. Mike McCahill from gave the film a rating of 4/5 and called it a ‘‘sweeping second world war epic that describes a collision of worlds’’. He further wrote, ‘‘they’ve produced a properly expansive and enthralling afternoon matinee, owing as much to the back catalogue as it does to the industry that gifted us – and those films didn’t have dance numbers about winding up ’’. Meena Iyer from gave the film a rating of 3.5/5 and wrote, ‘‘ is an ambitious attempt to actually tell a triangular love story against the backdrop of war, the canvas is huge and Pankaj Kumar’s cinematography is exquisite’’. Praising the performances of lead actors she further wrote, ‘‘Saif gives his movie-entrepreneur act a razor-sharp quality. And, Shahid is outstanding. Kangana of course is the ’’. Anupriya Kumar of wrote, ‘‘Bhardwaj ensure solid performances from his lead cast and topped it with clever execution’’. Praising Ranaut’s performance she further wrote, ‘‘Ranaut displays a wide array of moods and emotions and is convincingly vain and generous, manipulative and gullible, brave and frightened’’. Simon Abrams from gave the film a rating of three out of four stars and wrote, “The most remarkable thing about isn’t how seamless its plot mechanics are or how ideologically nuanced it is; it’s the movie’s determination to foreground its characters and get you to care what happens to them”. Rohit Vats of gave the film a rating of 2/5 and criticised the writing and the script of the film. He praised Ranaut’s performance by calling her the ‘‘Saving grace of ’’ and wrote, ‘‘Everything boils down to Kangana Ranaut’s Julia and her antics. She is undoubtedly a rock solid performer, because if there is one actor who shines despite odd writing, it’s her. She is terrific as a theatrics-loving stuntwoman. The poor script never lets Julia reach her pinnacle but she steals the show even with small scenes’’. Shubhra Gupta from gave the film a rating of 1.5/5 and described it as a ‘‘patchy film’’. She praised Ranaut’s performance by stating, ‘‘Kangana Ranaut delivers a standout performance in this patchy film; Her body language is spot on, and some of her action sequences are thrilling, even if you can see the computer graphics a mile off. And she gets one spectacular speaking moment, the camera tight on her face, when she speaks of love and desire and heartbreak’’. ranked Ranaut as the 2nd Best Actress of the year 2017 for her performance in . Music for the film was composed by , with lyrics by . The first song titled “Bloody Hell” was released on 11 January 2017, along with the music video. The full soundtrack was unveiled on 18 January and it consists 12 songs in total, including the film’s theme song. The music rights are bought by . All music is composed by .</p>