Paradesi

<p>Raasa is a carefree young man living in a rural village in the , during the . Orphaned at a young age, he is brought up by his grandmother. Angamma, a local belle, falls for him and takes pleasure in bullying him. When she finally confesses her feelings for him, they become intimate and soon reveal the fact that they are in love before the entire village. Angamma’s mother objects as Raasa is unemployed and irresponsible, making him undeserving of marrying anyone. Raasa then goes to the nearby village in search of work. He comes across a friendly , who then follows Raasa back to his village. The Kangani offers work for the villagers at the British tea plantations at the hillside. He promises them proper accommodation and high wages. Like many of the villagers, Raasa signs up with the Kangani, hoping that he can send home money every month for his ailing grandmother. Both Angamma and his grandmother are sad to watch him leave. When Raasa and his villagers arrive at the tea plantation, they realise they have been tricked into . The Kangani and his henchmen tyranically rule the plantation, and the British plantation manager does not care for the welfare of the workers. Raasa befriends Maragadham and her little daughter. They are the wife and child of the only worker who has ever escaped the plantation alive. Raasa soon gets a letter from his grandmother stating that Angamma now lives with her after her family found out she is pregnant with his child. It is soon revealed that all the workers’ daily wages go to their food and lodging. Raasa will have to work there for many more months if he wishes to leave the place. Maragadham too has to work for both her time and for her husband’s contract. The workers finally realise that they have been made slaves to the British businessmen. Feeling homesick, Raasa tries to escape, but he is caught by the Kangani’s henchmen and gets his left cut, just like every other worker who tried to escape and failed. An epidemic soon kills many workers in the plantation, including one of Raasa’s villagers. During a tea party, an English socialite asks the plantation manager to bring in a real doctor to treat the workers. A doctor from , in the form of an , and his English wife come to the plantation. However, rather than treating the sick workers, they spend all their time trying to convert them. Raasa’s time at the plantation draws to an end, but he cannot rejoice as Maragadham becomes ill and eventually dies. He then adopts her daughter and awaits his time to leave. However, he is told that by adopting Maragadham’s daughter, he has also inherited both her parents’ debt to the plantation and will have to work there for almost 10 more years to pay it all off. As he is lamenting his fate on top of a hill, he notices a new group of slaves being brought in. Among them, he sees Angamma and their son. He runs after them and in tears, tells them that they have both walked into misery. The film was adapted from , a Tamil translation of the 1969 novel by Paul Harris Daniel which deals with Harris’s encounters with enslaved tea plantation workers in the Madras Presidency in colonial India. It was tentatively titled , before being officially titled . , in her film debut, was the costume designer. was signed on to play the lead role, in his third leading role after and , and Bala asked him to shed 10 kilograms. was signed as the lead actress after a successful audition and makeup tests; Bala felt only she was apt for that role. To portray her character, she wore dark makeup. , who had appeared in Bala’s (2009), was originally cast in another major role, but opted out after the caused scheduling conflicts. She was subsequently replaced by . , then a college student who was appearing in short films, made her feature film debut. Jerry, one half of the filmmaking duo , made his acting debut as the main antagonist. Bala cast about 200 junior artistes and had them all go bald, ensuring they stayed that way throughout the 200-day schedule. later revealed that she had auditioned for an undisclosed role in the film. was shot in numerous locations including Salur and Manamadurai in Sivagangai district, Munnar and Talaiyar in Kerala, and the forest areas in Theni district. Dhansika starved for six days to achieve her look in the climax portions. Filming was completed in 90 working days. The soundtrack was composed by . The audio launch was held on 25 November 2012 at , Chennai. It was initially announced that would release on 21 December 2012. Eventually it was released on 15 March 2013. A one-minute reality trailer, released a few days before, drew controversies as it showed Bala hitting and abusing the actors. The final shot, showing Bala smiling, only added to the controversies. Later, it was explained that Bala was simply enacting the scenes for the actors, and the sticks used to hit them were fake. S Saraswathi of rated the film 4 stars out of 5, saying “Bala’s stays with you long after you walk out of the theatre. In fact you need a few minutes to reorient yourself back to the present, Bala captivates with his authentic script, unadorned visuals and down-to-earth characters. A must-watch.” said, ” may be too dark for some viewers. But here is a definitive movie that touches a deep emotional chord and will leave a lump in your throat. is definitively a classic with grace and power”, going on to call it “brilliant”. Vivek Ramz of rated it 4 out of 5 and stated that ” is dark, gritty and bloody realistic” & concluded that it is “film-making at its b- A must watch!” Ramesh Ganapathy of called the film “pure unadulterated cinema and the screenplay and the plot rank high above everything else” and “a master class in great filmmaking”. wrote for , “[The] traditional commercial-film elements are an odd fit in a film that’s attempting to be something wholly different. Paradesi is an important lesson on a forgotten chapter of history, but as cinema, Bala’s truest isn’t up there with Bala’s b-” Nandini Ramnath of said, “During most heightened moments, it appears as though Bala is single-handedly trying to undo that cinematic legacy” and concluded, ” clocks a crisp 120 minutes– not enough to replicate the richness of and , and not enough to accommodate new ideas on age-old forms of exploitation”. N Venkateswaran of wrote, “Art director C S Balachander and costume designer Poornima faithfully recreate the pre-independence era, while editor Kishore T E ensures a crisp and satisfying watch. But what shines through all this is the vision of Bala”. collected approximately (US$570,000) in Tamil Nadu in its first weekend. The film collected (US$19,000) in the United Kingdom and (US$27,000) in the United States in first weekend. Poornima Ramaswamy won the for her work in . The film received nine nominations including (Bala) and (Vedhika), and went on to win for (Bala), (Atharvaa) and (Dhansika).</p>