Kutti Pisasu

<p>The film opens with Kinathadi Kaali ( ) establishing her powers with a couple of sequences, including reducing a screen scorcher ( ) to a pale shadow. Cut to the present, where Priya (Geethika) is the intelligent daughter of Pichumani ( ) and Gayathri ( ), who treat her like the apple of their eyes. Soon, she is possessed by the spirit of Savithri ( ), who was ditched by her fiancé Nanjappan ( ). With the help of Kaali, it is the now the turn of Savithri and her brother Karuppu ( ) to take revenge. How they punish Nanjappan and his sorcerer friend Mandiramoorthy ( ) is the rest of the story. Geetika was cast in this film after winning season 5 of the Telugu-language dance show . She was credited in Kannada as Kruthika. A car that turns into a giant named “Car Man” is the film’s antagonist. The car that featured in the film was made specially for the movie. Actress was cast as one of the leads. Soundtrack was composed by Deva. wrote “The special effects and graphics are just ok; otherwise there is nothing in the film. Ramanarayanan has tried to mix witchcraft, sorcery, crass comedy with modern graphics borrowed from films like ?The Transformer? and ?The Car?. It is meant strictly for the consumption of interior Tamil Nadu audiences.” wrote “This is strictly for the masses, and although may turn out to be cotton candy for mothers and kids, you can’t help feeling that Rama Narayanan has been away from direction for too long. It shows.” wrote “Story-wise, there’s no great variation from predecessors like all the Amma movies but this one comes with an interesting ghost-twist. On the flip side, the production values are tacky, the acting juvenile and the screenplay downright silly.” wrote “There’s little to say in terms of story or production value. Strange, considering director Rama. Narayanan is a veteran in children’s and godly movies, even if they are terribly over-the-top!”. opined that “With most films boasting of superior, state-of-art technology, “Bombat Car” looks like a pathetic attempt to win back the traditional audience of such films – women and small children. However, with able support from the graphics and special effects guys, the effect is tolerable – the handsome robot dancing in tandem with the prancing kid, not at all conveying menace. wrote that Rama Narayanan “manages to keep the film interesting. There is no logic to what transpires, but it is fun to watch. And it won’t be just kids who will find it enjoyable.</p>