Naalai

<p>The film starts with Justin getting released from jail while his friend Natty is waiting for him. A writer who witnesses this decides to write a biography on them. Justin and Natty are friends since childhood. They first met during the death of their respective parents and both work as henchmen to Nair. They are his loyal servants and are prepared to lay their lives for him. However, a sequence of events results in Nair developing mistrust and hatred towards the two. He employs another youth, Adi, in their place and plans to bump them off. Eventually, Justin ends up in prison, and Nattu loses his leg thanks to Nair’s plans. After three years (when Justin completes his jail term), Justin, along with Natty, decides to stay away from violence and lead a peaceful life. Charu, a girl-next-door, falls in love with Justin, and both decide to marry. Meanwhile, a reformed Nair seeks an apology to both Natty and Justin before his death. However, when things go smooth in their lives, a previous enmity leaves Nair’s henchmen making an attempt on Justin’s life, which eventually claims Charu’s life. In the climax, Justin stabs Aditya, while Justin himself gets stabbed and dies. The film ends with Natty carrying Justin and both jumping into the sea and dying. The film was produced by internationally renowned documentary filmmaker and cinematographer S. Nallamuthu. The story was written and directed by Udayabanu Maheshwaran. G. Ramesh is the cinematographer, art direction by S. Maniraj, stunts by Super Subbarayan and choreography by Shanti Srihari. Songs by Karthik Raja and lyrics written by . wrote that “Naalai is not a classic gangster movie, still the team has to be encouraged. It’s just ok and one of the better gangster movies we have seen in recent times.”. wrote, “The absence of an original story line and a weak screenplay takes the sheen out of the film. On the whole, it is a film with a lot of gloss and stale content”. said that “Rarely do you get to witness a short, succinctly told narrative on screen”. Lajjavathi of wrote the director Udhayabhanu Maheswaran, who has come to tell the friendship of two friends that tomorrow is a question mark in the life of gangsters, has left the momentum and pressure in the screenplay. That’s why in the climax, even though they sacrificed every person alive, it was not so heartbreaking. wrote “This is also another gangster film but director Udayabanu Maheswaran’s screenplay and direction sets it apart from the regular genre”.</p>