Shahjahan

<p>Ashok is a charismatic young man with a profound understanding of the intricate dynamics of love and relationships. He operates in a clandestine world where he assists star-crossed lovers in eloping, defying the stern opposition of their families. Supported by his loyal companions, Boopathi Ramaiyaa and Seenu, Ashok navigates the tumultuous waters of romance with finesse and empathy. Amidst his endeavors, Ashok’s own heart becomes entangled when he encounters Uma Maheshwari, affectionately known as Mahee, a brilliant engineering student whose presence captivates him deeply. Despite harboring a profound crush on Mahee, Ashok opts for silence, haunted by a haunting past incident involving his dear friend, Giri. In a poignant flashback, the audience is confronted with Giri’s tragic tale of unrequited love. Giri’s affection for Aisha, a young woman, ended in heartbreak and tragedy when she tragically took her own life in the face of societal scorn and familial discord triggered by Giri’s declaration of love. This in turn caused Giri to go insane and end up in a mental hospital. When Ashok’s friend Raja solicits his aid in winning over a mysterious lady, Ashok altruistically agrees, unaware that the enigmatic maiden is none other than Mahee herself. As Raja and Mahee’s clandestine romance blossoms, Ashok remains blissfully oblivious to their burgeoning affection. However, when Mahee’s father discovers their relationship, the young couple turns to Ashok once more, seeking refuge in his expertise. Oblivious to Raja’s intentions, Ashok pledges his assistance, unwittingly facilitating Raja’s pursuit of Mahee. The revelation strikes Ashok with devastating force as Mahee stands before him, ready to elope with Raja. Consumed by anguish and heartache, Ashok’s world shatters as he realizes the depth of his sacrifice. Despite his torment, Ashok exhibits remarkable resilience and selflessness, orchestrating Raja and Mahee’s union even as his own heart breaks. As the newlyweds flee to Coimbatore to escape Mahee’s father’s wrath, tragedy strikes once more. In a harrowing confrontation, Mahee’s father unleashes his fury upon the trio, culminating in a brutal assault on Ashok. Despite the searing pain of betrayal, Ashok valiantly shields his friends, sacrificing his own safety for their happiness. The film culminates in a poignant tableau, with Ashok wounded and broken, yet undeterred in his mission to unite kindred souls. As a stranger beseeches him for aid in matters of the heart, Ashok, with a heavy heart, offers his unwavering assistance, embodying the timeless adage that true love knows no bounds, even in the face of personal anguish and sacrifice. As per the film’s opening and end credits: , after the successes of (1996), (1997) and (1999), signed on for a project to be directed by . However, Vijay opted against starring in Vikraman’s venture and Ravi Appulu was roped in to make a film titled , which later became , named after the fifth emperor with the . The director had previously approached with the script of the film. Although the story takes place in , the movie was predominantly shot only in but 50% of the film’s portions were shot in Chennai as well. was signed to handle the camera, Mani Sharma to compose the music, to write lyrics while Prabhakaran did the art work and Prasanna Kumar has written the dialogue. The soundtrack of the film was composed by , and all lyrics were penned by . The song “Minnalai Pidithu” is based on the theme of (1996). was released on 14 November 2001. Malathi Rangarajan from gave the film a positive review claiming that “youth, romance and vibrant music seem to sell at a premium these days” and that “has all these in ample measure”. She added that Richa “has little to do but look good” and Vijay “sparkles in the role of Ashok” while Krishna “fills the bill of a perfect non-action hero”. rated the film 36 out of 100 and wrote that the makers have erected a puppet Taj Mahal with this Shahjahan as a succession of predictable scenes and weak incidents. Visual Dasan of rated the film “above average”. wrote “The film opens promisingly enough, with a well choreographed stunt scene, giving hope of more thrills to follow. The story, of a youth who helps out lovers-in-distress, but falters when it comes to his own matters-of-the-heart, had potential to turn into an engaging entertainer. But the first-time director thrusts in a lot of contrived situations, and makes his hero a loser in the end”.</p>