Amarkalam

<p>Vasu is a ruthless hooligan who lives in a cinema theatre owned by Aarumugam. He had a tortured childhood and wastes his days by drinking, fighting, and sleeping. When Vasu’s friend, Thilak, loses a reel of the starrer (1992) to Mohana, Vasu and Mohana clash when he attempts to retrieve the reel. Mohana’s family are members of the police, headed by Birla Bose, Mohana’s father. At this point, Tulasi Das, an ex-mafia dada who spent many years in jail because of Bose, comes to the theatre. He does not like Bose and hires Vasu to kidnap Mohana. Vasu later cries out his childhood pain in the song “Satham Illatha.” Mohana falls in love with Vasu after hearing his pain. When Tulasi realises that Mohana loves Vasu, he hires Vasu to pretend that he loves her. At first, it is just pretense, but then he too begins to love her. Tulasi visits Bose to inform him of his daughter’s love for a gangster and realises that Mohana is indeed his daughter. A flashback showing the parted friendship between the two men, and Ganga, Tulasi’s wife, abandons him and their child when she discovers that her husband is a don. Knowing that Mohana is his daughter, Tulasi instructs Vasu to give up his love. When Vasu refuses, Tulasi visits Mohana and tells her about his ploy and that Vasu’s love for her was fake. Mohana confronts Vasu and breaks off their relationship. Vasu, after a tense argument with Tulasi, tries to convince Mohana that even though it started out as fake, what he feels for her now is genuine. However, she fails to understand. Heartbroken, Vasu joins Aasai’s gang. In the meantime, Mohana meets Singampuli and hears about Vasu’s childhood trauma and feels bad for him. Eventually, Vasu proves to Mohana that his love is sincere and unites with her after a clash between the cops, Tulasi and Aasai’s gang. The producers of the directorial (1998), Venkateswaralayam had lost a lot of money on that film so its star insisted on doing another film for the studio. The film began production without a script but only the title being revealed. Saran initially came up with a script revolving around a gangster who loses his eyesight and makes many enemies; however he changed the script when his friends told him that several films on a similar subject were made at that time. He built a story around a setup of “a father meets his daughter without she releasing that he was her dad” based on a film he had seen and made this script completely into “a hero-centric film”. was the first choice for the lead actress but could not accept it due to scheduling conflicts. Saran approached , who was studying at the time, and she refused, but after a three-month pursuit, he finally got her to sign on as well. Saran wanted Shalini because he found her “eyes to be arresting” and she gained the “image of ‘everybody’s adorable daughter’ after “, which he felt would be right for this role. The role of Tulasi Das was initially offered to who accepted before later pulling out of the film. was Saran’s next choice for the role who agreed because Saran felt “he’d understand this complex character, who wasn’t a violent one or routine villain character. Also, I was particular that no one should be able to guess the film’s turning point”. The film began production in January 1999 and during the production of the film, Ajith and Shalini fell in love and eventually got married in April 2000. For the lead protagonist’s staying place, Saran decided to use a film theatre as a backdrop, he found Srinivasa Theatre after looking at its infrastructure. The music was composed by , with lyrics written by . Shalini sang a song in the film, with Saran recommending her after he had heard her humming to a tune. Saran did not want the song “Satham Illamal” to be cinematic; for that he created a sad past of Ajith Kumar’s character to justify the presence of the song in the film. The song’s lyrics were based on a poem written by Vairamuthu where every line ended with the word “vendum” (I want). Bharadwaj suggested that “instead of ‘vendum’, the word should be ‘kaetaen’ (I asked), so that the song would convey that the hero asked for everything, but ultimately did not get any, including death. Singer performed this song in a breathless manner. was released on 15 August 1999. D. S. Ramanujam of wrote, “A STORY of love and vendetta has been given glossy touches and interesting twists by director Saran (the screenplay, dialogue and story are also his) in Venkateswaralayam’s , making it worth the money”. K. P. S. of wrote the director created huge expectations, love element which was barely touched became a main focal point in second half, what could have been a first class film became an average film. The film went on to become a large success, extending Ajith Kumar’s success after his previous film . Ajith went on to purchase Saran a car as a token of gratitude for the success. In 2000, was dubbed and released in Telugu as which was produced by V. Sathyanarayana. It was later remade in Kannada as (2001), with Raghuvaran reprising his role. Despite the release of dubbed version there was a 2004 remake version in Telugu titled . A remake starring was planned by Saran but later dropped. A digitally restored version of was released on 16 May 2014.</p>