Kaathala Kaathala

<p>Ramalingam and Sundaralingam are orphans who take care of orphaned children. Sundaralingam paints shop banners and calendars. Ramalingam makes money, usually by fraudulent means. Once he even worked for a fake preacher (Ananda Vikadanantha) and regretted for it. Sundari, an arts student, falls for Ramalingam. Her friend, Janaki, falls in love with Sundaralingam. Janaki’s father, Paramasivam, objects to Janaki’s wedding since Sundaralingam is poor, prompting Janaki and Sundaralingam to marry with the help of their friends. Days go by, but Paramasivam still does not agree. This causes Sundari to ask Janaki to lie to Paramasivam and say that she has given birth to a son. Paramasivam, upon receiving the letter, changes his mind and gets ready to set off to Chennai. Sundari lies to her Chicago-based father, Balamurugan, that Ramalingam is a rich man. Janaki, to easily convince her parents, also fabricates a story that Sundaralingam has become rich. The girls rent a bungalow for three days; the owner, Noorjahan, mistakes Janaki and Ramalingam to be a couple. Balamurugan, who is supposed to come on that day, misses his flight. Janaki’s parents wish to surprise her, and they end up coming on that day. Ramalingam mistakes Janaki’s father for Sundari’s father, and a comedy of errors ensues. Unable to tell the truth because of Noorjahan’s presence, Janaki and Ramalingam let the mistaken identity stay as such. To keep the tale running, Janaki and Ramalingam introduce Sundari as the maidservant and Sundaralingam as the cook. Sundari borrows a child from a beggar woman, who stays in the house as the woman who supplies milk. The four of them strive hard to hide the truth from Janaki’s parents. While these happenings unfold, Varadhachaari, Paramasivam’s friend, who knows the truth, comes over. The couples try to salvage the web of lies they have built, by getting Varadhachaari and Paramasivam to agree. Unfortunately, they then meet with Janaki’s maternal uncle, Singaram, a , who begins to suspect the veracity of the stories. All the same, he fails to convince his sister and brother-in-law of the possible untruths they have been led to believe. Now that Balamurugan too is about to meet them, Paramasivam himself steps in to help them build a story involving Balamurugan’s daughter, who, to him, is a maidservant in the house. He concocts a complicated tale where Ramalingam is his son, Janaki and Sundaralingam reprise their real relationship and, worse, V. Anand, the former Ananda Vikadanantha, is his cousin. The real reason Anand is at their place, is to hide from the police, as he is wanted for his fraudulent ways. Soon enough, the elders begin to smell something fishy. To end the mess, Sundari reveals the complete truth to everyone. Singaram reveals to all that Anand is a crook and Ramalingam is now forced to prove his innocence. A chase ensues when Anand is held hostage by his ex-partner, Junior Vikadanantha, for money which he looted. Inspector Chokkalingam arrives in time to find Ananda Vikadanantha and Junior, and Ramalingam is proven innocent. Paramasivam accepts Janaki and Sundaralingam, and Balamurugan is happy about Ramalingam and Sundari. was initially expected to be directed by who directed the successful with Kamal Haasan in the lead earlier, but he was later replaced by after he refused to sign the film until the had stopped. Actresses and ‘s unavailability led to being cast in a lead role. also opted against signing the film fearing that a potential clash may arise with actress Rambha, after the pair’s alleged fall out on the sets of . After ‘s death in 2004, Haasan paid tribute to her when he said, “she came forward to do the movie, when the rest of the industry was unwilling to work with me.” , wanting to express solidarity with Haasan’s stand during the strike, asked him for a role in the film and got it. It eventually became his final film as actor. The soundtrack was composed by and lyrics were written by . was released on 10 April 1998. D. S. Ramanujam for wrote, “Veteran director Singeetham Srinivasarao (his penchant for comedy is well-known), actor and screenplay writer Kamal Hassan and story and dialogue writer “Crazy″ Mohan have a large say in sparking fun, Mohan being at his `craziest’ b- The pun-laden lines come in such a wave that before one can enjoy one humourous [sic] line, the other just smashes in”. R. Mahadevan of noted “writers like [Crazy] Mohan make this celluloid affair of filmy entertainment stand on a more fanciful ground of pure comedy — with ease and veritable success”. Ji of , however, reviewed the film more negatively, criticising it for lacking the humour of Haasan and Mohan’s previous ventures. The film was dubbed in Telugu as in late 1998. In 2010, the producer of the film threatened legal action against the makers of the Hindi film for remaking scenes from the film without permission. Thenappan revealed he had dubbed the film into Hindi in the late 1990s as , but the version did not release. The line “Jaanaki enakku wife aagittathaala, Sundari velakkaari aayittaappaa” (Ever since Janaki became my wife, Sundari became a housemaid) became popular, and has since entered Tamil vernacular as a term used by people to “tease friends caught impersonating”. The song “Kaasumela” became popular for Prabhu Deva’s dance. The title of the song inspired a 2018 film .</p>