Musthaffaa

<p>Musthaffaa is the trusted henchman of the godfather Periyavar. When politicians need help, they notify Periyavar, and Musthaffaa, in turn, solves the problem with his sidekick Chellappa. Musthaffaa considers Periyavar as his own father and he calls him Vappa (father in ) whilst he considers Chellappa as his own elder brother. In the meantime, Sundaresan is appointed as an office worker in a government office, and he has persistently refused bribes. Being from a middle-class orthodox family, Sundaresan lives with his sick wife Bhagyalakshmi, his daughter Lalitha, and his son Ramkumar. Lalitha falls in love with Lakshmanan, while Ramkumar wants to become an engineer. Lakshmanan’s family ask for a huge dowry for the wedding, and the principal of the engineering college asks them for a huge amount to enrol their son. Without enough revenue, they refuse both proposals. When Musthaffaa learns of their problem, he pressures Sundaresan to sign some contracts without examining them in exchange for bribes, but they still refuse. Musthaffaa shares enmity with Kaalaiya who wants to kill Periyavar. Meanwhile, a dancer named Kavita, who works in Kaalaiya’s dance club, is saved by Musthaffaa from Kaalaiya’s henchmen. With the help of Musthaffaa, Kavita becomes a teacher. Kavita develops a soft corner for Musthaffaa, and they finally decide to marry. In the meantime, Bhagyalakshmi’s asthma has worsened and she is hospitalised. To treat her, Sundaresan must disburse a huge amount. The next day, the vigilance officer Rajaram, dressed as a civilian, tries to corrupt the officers, but only Sundaresan accepts. Sundaresan is subsequently arrested for corruption. Kaalaiya plans to kill Periyavar, so his son puts a bomb in his car. Unfortunately, Kavita is killed in the car blast before their wedding. Thereafter, Musthaffaa turns berserk and kills Kaalaiya’s son. Musthaffaa decides to become a good man, so he helps Sundaresan’s family and decides to live with them. Thereby, Periyavar becomes upset over Musthaffaa’s decision. First, the relationship between Musthaffaa and Sundaresan’s family was tense, but later they lived together harmoniously. During the Legislative Assembly election, the violence is in full swing between the ruling party and the opposition party. Periyavar, on the side of the ruling party, cannot control it without Musthaffaa while Kaalaiya, on the side of the opposition party, is gaining in power with Rajaram’s aid. So Musthaffaa decides to take this last job to finance Lalitha’s wedding and Ramkumar’s education, to give again Sundaresan’s job, and to treat Bhagyalakshmi’s asthma. Finally, Musthaffaa kills Kaalaiya, and the ruling party wins the election. Minister Sathyanathan congrats him for his work; as for Musthaffaa, he requests the minister to deal with the problems peacefully, but it does not please Sathyanathan. During Lalitha’s wedding, Musthaffaa is arrested by the police, but as a transformed person, he accepts the sentence. There, in a twist of fate, Periyavar’s henchman shoots Musthaffaa in the back, and he died in Periyavar’s arms. Periyavar orders to kill him because of fear of reprisal and self-inter- In turn, Chellappa murders Periyavar and is arrested. K. Prasanna had written as a in the weekly magazine and had also staged it as a play. Impressed by the story, the producer P. G. Shrikanth decided to make into a film, with Prasanna retained as screenwriter. The music was composed by , with lyrics written by . K. Vijayan of praised the actor Napoleon and said, “whatever inadequacies had in the first half is redeemed in the second half”. felt Napolean’s acting and dialogue delivery is routine but called Goundamani’s presence as relief and called Charmila and cinematography as plus points but found music as average and the length could have been trimmed. wrote, “Napoleon emerges as a character actor of class while essaying a difficult role of a Muslim ruffian turning a protector of a middle class Hindu family, which still believes in old values”, adding that the title character “attains great proportions thanks to the dialogue and screenplay of Prasanna”.</p>