Alaigal Oivathillai

<p>Vichu, a laidback teenager from an orthodox family, lives with his widowed mother, a music teacher, in a coastal village. Mary, a modernised girl studying in a nearby town, returns to the village after finishing her examinations, where her wealthy brother David lives with his wife Elissy. David is ruthless, arrogant and feared by the villagers. However, he is extremely protective of his sister. Once when she sings with her friends, Vichu and his friends mock her singing skills. Feeling insulted, she decides to learn singing, obtains permission from David and enrolls in music classes under Vichu’s mother. Mary soon excels and gets the appreciation of Vichu’s mother. Vichu gets impressed with Mary’s perseverance and when she sings a song exceedingly well, he loses his heart to her. He starts chasing her and expresses his love. Mary, however, avoids him and goes to the extent of slapping him. But the same anger turns into love when she realises his true love for her. The relationship between Vichu and Mary grows and they become very close to each other without their families knowing. Two children playing on the beach see Vichu and Mary romancing; one of them informs her mother, who in turn informs Elissy about their affair. Elissy berates Mary for courting a non-Christian and warns her of the consequences, should David learn. Elissy prevents Mary from leaving her house, instead arranging for Vichu’s mother to teach her there. Vichu and Mary start exchanging messages written on paper pieces tucked in the . Despite Elissy’s control, Mary manages to meet Vichu. Vichu’s mother accidentally sees a note in the harmonium and cautions Vichu. However, he explains his true love and seeks her support. Mary gets admission in a city college, but her love for Vichu prompts her to adopt ingenious techniques to fall ill to enable her to get excuses to cancel the trip. Vichu’s friends say the best way to resolve the matter is by proposing formally. Vichu and his friends visit David at his house and propose Vichu’s marriage with Mary; David angrily refuses, beats Mary and berates Elissy for being irresponsible. He then locks up Mary and vows to stop her love affair with Vichu. During the course of events, David gets aroused by his servant Mari’s wife undressing, enters the bathroom and rapes her. Elissy who sees the whole thing is afraid to stop David and she frantically tries to divert Mari’s attention to avoid exposing David and thereby shaming her family. Though he is caught in the act, David cleanly gets away due to his clout, and Mari and his wife quietly leave the house, after sarcastically telling David that he had already ‘repaid’ them for their loyalty, and Elissy — rather than they — should be given the final payment for services rendered, for standing ‘guard’ so faithfully during the shameful act. Hurt by the barbed comment but knowing she did wrong and enraged at David’s lack of remorse and callousness when she confronted him about the rape, Elissy now turns against David. She decides to help Mary, who truly loves Vichu and assists Mary to meet Vichu secretly. David, who comes to know of this, decides to get Mary married to a relative in a hurry. The priest at the local church meets David and advises him to understand true love and support the young lovers, but David disagrees as he feels religion is more important than emotions. Elissy is against his plan, and advises Mary to meet Vichu and decide their future. Mary and Vichu decide not to run away, but to live in the same village. When they are together, David lands up, beats Vichu and his friends, takes Mary away and speeds up the process of her forced marriage. When Mary is determined to marry Vichu, Elissy takes her to Vichu’s house and hands her over to his mother. Though Vichu’s mother is apprehensive, she does not wish to abort their love and accepts Mary. However, David and his people arrive; Vichu’s mother asks him and Mary to run away to a safer place. They both run away but remain at the beach. The night passes with protection from their friends. David meets the villagers and provokes them for allowing a to elope with a Christian. All the villagers join him and come to attack the lovers the next morning. Vichu and Mary notice the armed crowds coming and decide to face them. An armed David comes to attack Vichu, but is stopped by the priest who advises David to be a human and respect love. David insists that as a true Christian he will not allow Mary to marry a non-Christian as long as she is Christian. In response, Vichu and Mary renounce their respective religions, much to the shock of David and the villagers, then walk away. Vichu’s friends celebrate the lovers’ new found happiness and peace. , who had finished the ninth grade, initially screen tested for the film before was selected. Karthik and made their acting debut with this film. When Karthik’s father, actor asked Karthik if he would accept the film, Karthik readily agreed without giving it a second thought. said he was also approached for the role but he opted to do . Bharathiraja had also contemplated casting in the lead role, but ultimately did not do so. , who was then working as regional manager of , made his acting debut with the film. None of the three actors recorded their dialogues in their own voices; Karthik’s voice was dubbed by , Radha’s by Anuradha and Thiagarajan’s by Bharathiraja. is the first film produced by R. D. Bhaskar through the company Pavalar Creations. The film was shot entirely in . For the song “Aayiram Thamarai”, Bharathiraja wanted a set with swaying lotuses, for which assistant directors and “ran from pillar to post to get it ready”. According to Manobala, “We peeled off a plantain sheath and stuck lotus stems to it. Then, both of us raised and swayed the lotus flowers from underwater”. The music was composed by . The song “Vizhiyil Vizhundhu”, set in raga, was composed within 10 minutes while the other songs were composed within half an hour. The song “Putham Pudhu Kaalai”, set to , was originally recorded for a film titled to be directed by . As that film was shelved, the song was included on the LP records of , but it was not featured in the film itself. The flute portions in the song were performed by Sudhakar. It was later remastered for (2014), in which Ilaiyaraaja was also the composer. The song was also reused as “Halke Se Bole” in the film (2009), and was sampled for a commercial. The song “Kadhal Oviyam” was reused as “Meri Zindagi” in the Hindi film (1996), which was also composed by Ilaiyaraaja. The song “Aayiram Thamarai”, set to , was reused in (2009). The song “Vaadi En Kappa Kelange” was remixed by in (2008). was released on 18 July 1981. In a review dated 2 August 1981, the Tamil magazine rated the film 50 out of 100. Sindhu-Jeeva of praised Kannan’s cinematography, Ilaiyaraaja’s music, editing and the climax for creating excitement and concluded calling it another colourful painting by Bharathiraja highlighting love. The then chief minister applauded the performance of Smitha, and encouraged her to perform more similar roles. won eight . They were , (Bharathiraja), (Ilaiyaraaja), (Vairamuthu), (B. Kannan), (Manivannan), Best Debut Actor Male (Karthik) and Best Debut Actor Female (Radha). was simultaneously shot along with its Telugu version titled by Bharathiraja himself with Karthik and Smitha reprising their roles, which was released one month later. Bharathiraja remade it in Hindi as in 1983.</p>