Nizhalgal

<p>Gopi and Hari, two unemployed graduates, share a room in . While Gopi is looking for a job, Hari, a player, aspires to become a music composer in the film industry. They both manage to make ends meet with the help of their friends. Their neighbour is Prabhu, a college student who spends all his time smoking, painting and singing. A new family relocates to their apartment. The couple have a daughter Mahalakshmi. Prabhu and Maha both study in the same college and become good friends. Prabhu decides to apprentice under a exponent, who dies before Prabhu joins the class. Gopi gives tuition to Maha and they fall in love. During this time, Gopi, Hari, and Prabhu get arrested for different reasons. Maha pledges her necklace and bails them out. In an attempt to reform, Prabhu meets his college principal but gets dismissed from the college after impulsively slapping him for extinguishing his cigarette on a flower. He is scolded by his father but Maha is supportive of him. Prabhu assumes that she loves him. During this time Maha’s parents force her to discontinue her tuition as some of their relatives suspect she and Gopi are in a relationship. Hari gets a break in films and receives an advance payment from the producers. Using the sum, they return Maha’s necklace. By this time, Maha’s parents start looking for a groom for her. Maha meets Gopi and advises him to find a job so that they can marry. Hari is dropped from the film because the financier of the film does not want a new, untested music composer. Gopi and Hari are evicted from their room for not paying the rent, and seek shelter with Mani, a puller. Gopi gets a telegram informing him that his father is dead. To bear Gopi’s travel expenses, Mani’s son Singam goes out but meets with an accident. Hari tries to make money by becoming a but fails. Gopi approaches a moneylender to borrow money for Singam’s treatment. The moneylender talks ill about Singam, angering Gopi into stabbing the moneylender and taking his money. When he returns, Singam is already dead. Meanwhile, Maha’s parents arrange a marriage for her. When she meets Prabhu, he confesses his love for her. A shocked Maha informs him that she never loved him, only Gopi. Prabhu is disappointed and feels life has betrayed him at every turn. He tries to molest Maha but stops when she takes a knife and threatens that she will kill herself. Prabhu feels guilty, takes the knife and stabs himself to death. By this time, Gopi arrives at her house and informs her that he has killed the moneylender for money. They both decide to take the next step and are married immediately. The next day they are arrested for the deaths of Prabhu and the moneylender. Hari throws his harmonium in the sea and runs amok. Manivannan joined Bharathiraja’s unit as an assistant in the film. He scripted the story and co-wrote the film with Bharathiraja. The film’s cast, principal cast in particular – Ravi, Chandrasekhar, Raadhu, and Rajasekar – mostly featured newcomers. Raadhu was credited as Rohini, and Rajasekar as Rajasekaran. Ravi was earlier asked to audition for Bharathiraja’s (1979) as a dubbing artist for the lead character. However, since Bharathiraja himself dubbed for character, Ravi was dropped. Bharathiraaja, however, signed up Ravi for as the lead actor, thus marking Ravi’s cinematic debut. Bharathiraja cast Rajasekar because he liked his eyes. Some outdoor scenes were filmed in Mekkarai. The main theme of the film is unemployment. The music was composed by . The song “Ithu Oru Pon Malai” was written by , making his cinematic debut. He got the starting lines ready within 30 minutes. The song is set in raga, while “Poongathave” is set in . The song “Madai Thiranthu” was later remixed by and Natchatra in their album . A remix version of “Ithu Oru Pon Malai” is featured on music artist M. Rafi’s album . Ilaiyaraaja later reused “Dhoorathil Naan Kanda” as “Vennello Godari” for the Telugu film (1984). was released on 6 November 1980 alongside with both films having similar themes of unemployment. Radhakrishnan of praised the performances of newcomers as natural, Ilaiyaraaja’s music and cinematography as colourful and concluded by calling direction as the reality of life as shadow. Naagai Dharuman of praised the music, acting, cinematography, dialogues and direction but criticised Bharathiraja for using too many symbolic shots. Although the film’s story, music and the performance of the cast members received critical acclaim, it failed at the box office. At the (1981), won two awards – (for Ilaiyaraaja) and (for S. P. Balasubrahmanyam). At the in 1981, was one of the 21 films to be screened at the Indian Panorama section. It was one of the two Tamil films to be screened at the festival; the other being which was released the same year. Made in the neo-realistic style, the film was a different attempt by Bharathiraja. The French film critic Yves Thoraval in his stated: “a gloomy and violent film despite musical scenes with pretty dancers in short skirts.” After the film’s release, the name “Nizhalgal” was added to Ravi’s name as a prefix. In 2008, short filmmaker R. V. Ramani in an interview with recalled as being a film that made a strong impact on him. He further called the film as a pathbreaking one in Tamil cinema. In a 2015 interview, Bharathiraja noted that he had to return to mainstream filmmaking due to the financial failure of .</p>