Kalyanaraman

<p>Kalyanam is the naïve, infantile son of Chinnadurai, a wealthy tea estate owner. Realising his son would not be able to manage the estate or even take care of himself after his death, Chinnadurai tries to get him married but Kalyanam does not like the prospective bride. Kalyanam is in love with Shenbagam, a woman who works on the estate and is the daughter of Chinnadurai’s driver Perumal. Along with his pre-teen friend Kuppu, Kalyanam tries to court Shenbagam but she does not reciprocate his feelings. The manager of the estate is trying to seize Chinnadurai’s wealth and property. He conspires with Perumal and the cook Samipillai, and hires a goon to kill Chinnadurai. On his deathbed, Chinnadurai tells Kalyanam he abandoned his first wife Rajalakshmi and Kalyanam’s twin brother Raman in , and advises him to go there to escape the malicious employees. Kalyanam reveals this plan to Samipillai, who leaks it to the manager. Samipillai tells Kalyanam he will fetch Raman and Rajalakshmi himself, and hires actors Kittu and Rangamani to pose as them. Kalyanam overhears the gang gloating on how they duped him and runs to inform the police but the gang corner and murder him. Shenbagam watches the killing and becomes mentally unstable. The gang cuts off the other witness Kuppu’s tongue, rendering him mute. The gang try to seize the property but they face difficult legal formalities from the bank. Kalyanam, now a ghost, travels to Madras to locate his brother and mother. He finds Raman and tells him what happened. Rajalakshmi confirms to Raman he had a twin, and he decides to take revenge. Raman arrives at his late father’s estate, and exposes Rangamani and Kittu as frauds. He poses as Kalyanam’s ghost and threatens Samipillai, who breaks down, apologises and joins Raman in his crusade. With the help of Kalyanam, Raman restores Shenbagam’s sanity, teaches Kuppu to read and write so he can testify. The manager and his gang try to kidnap Rajalakshmi, who had arrived at the estate sometime before, and attack Raman. Kalyanam temporarily enters Raman’s body and gives him the power to fight everyone. The manager and his gang are arrested due to Kuppu’s testimony. Raman and Shenbagam marry. The producer-writer had the dates of and ready for a potential film but the actors did not want to appear in the same film so it was decided Arunachalam would produce one film for each actor; the Rajinikanth film became , and the Haasan film became . Arunachalam initially contemplated having direct both films but Haasan recommended Muthuraman’s assistant direct , making it his directorial debut. was written by Arunachalam and produced by his wife Meena under their banner P. A. Art Productions. The concept of was based on that of the films (1948) and (1976). who wrote dialogues for admitted this. Haasan played twin brothers Kalyanam and Raman. In preparation for the role of Kalyanam, Haasan had his teeth fashioned by G. Janakiraman, a dentist. The cinematographer was and the film was edited by K. R. Ramalingam. A fight sequence was shot at 300 ft. hills at Coonoor Estate. composed the music for and the lyrics were written by Panchu Arunachalam. The song “Kaathal Vanthiruchu” is loosely based on ” ” by . “Kathal Deepam” is set in the known as , “Ninaithaal Inikkum” is set in , and “Malargalil Aadum” is set in . All of the lyrics for the dubbed version were written by . “Kaathal Vanthiruchu” was remixed for the film ( ), by Ilaiyaraaja’s son . was released on 6 July 1979. The film was a commercial success and ran in theatres for 140 days. In April 1980, when announced it would telecast , many people, particularly students, sent them letters asking them not to telecast the film during the examination season. One person telephoned Doordarshan Kendra and announced four bombs had been placed inside the building. The film was telecast according to schedule and the bomb threat was discovered to be a hoax. rated the film 57 out of 100, and in particular praised Haasan’s performance, Viswanathan’s cinematography and Rangarajan’s direction. Piousji, writing for the magazine , said; “As the dim-wit Kalyanam, [Kamal Haasan] was superb”. Kaushikan, writing for , appreciated the film for its story and the cast performances. appreciated Rangarajan’s direction and said Haasan was well utilised, calling a worthy entertainer. Following the success of , Rangarajan directed Haasan in four more films; (1981), (1981), (1981) and (1992). According to film historian , established the genre in Tamil cinema. In 1982, the film was remade in as , and in 1992 in as . Six years after the release of , a sequel titled was made in 1985; it was the first sequel in Tamil cinema.</p>