Aarilirunthu Arubathu Varai

<p>The story begins with a family man who has a wife and four children. He values the present moment and wants to lead a luxurious life along with his family. He spends a lot of his earnings rather than saving. Suddenly, one day, when his eldest son is just six years old, he dies in a road accident after getting heavily drunk. The eldest boy, Santhanam, visits his father’s boss and asks for a job. He gets a job at the printing press and learns a trade running the printing press. He also does many other odd jobs. He aspires to give his siblings the comfort that his father wanted for his family. All four children grow up and their mother dies suddenly. While Santhanam continues working in the print press, his siblings go to college. He seeks the help of his friend and his boss, asking them for money as and when he requires for his siblings’ studies. Santhanam and a co-worker fall in love, but she breaks off when she learns of his numerous debts and continuing responsibilities towards his siblings. Santhanam’s sister falls in love with a rich man and Santhanam feels he needs to give a suitable dowry to get his sister married to the rich man. His younger brother advises him not to give a dowry as the groom did not ask for it and also because they cannot afford a dowry. Santhanam goes ahead with the dowry and finds he is short of money, despite help from his friend and boss. In desperation, he marries Lakshmi when he is promised a sum of money. But it turns out to be a false promise. He then goes to a loan shark to obtain money. Later his sister ill treats him during his visit to their home mocking at his cheap gift to her new born baby. Santhanam’s younger brother (L. I. C. Narasimhan) graduates and gets a good job. Santhanam believes that his brother will help improving their family condition. But he doesn’t help out Santhanam financially and becomes selfish purchasing expensive dresses and a watch only for him. He says that Santhanam’s money problems were brought onto himself. Santhanam and his brother get into quarrel and his brother leaves the home and marries his friend. Santhanam’s situation gets worse with his friend Cho losing his job and his boss falling ill. The printing press is now managed by the son of his ex-boss who does not like Santhanam as he has borrowed so much money from his father. Santhanam’s new boss ask him to repay the money he owed to his father or else resign his job. Santhanam loses his job and he half-heartedly attempts to get help from his well-off siblings and fails. Unable to pay rent, he, his wife and child move to a slum. Santhanam gets a job as a proof reader, his wife earns some money doing some sewing and they have another child. Santhanam develops an interest to write and completes his first novel. His friend Cho, who has also recovered, publishes it. On the day that the book is available, Santhanam’s wife leaves her kids at home to go to the market. In her absence, a fire occurs in the slum area. She rushes back to save her children and is badly burnt in the fire. She dies and Santhanam gets a sum of money from an insurance policy that she had secretly taken up. His friend suggests that they produce their own newspaper and this goes well. Santhanam becomes a popular novelist, winning a writer’s award and he becomes rich. His siblings also unite with him considering that he is a celebrity now other than being very rich. He is now 60 years old and he doesn’t reject them, he knows though, that it was his wife who was there for him through the hard times. Santhanam’s both children leave to abroad for their higher education thanks to Cho who managed his finances and the press they started with Santhanam bringing in the creative input. The movie ends with Santhanam dying in a chair looking at his wife’s photo and thinking about the opportunistic behaviour of his siblings and the meaninglessness of life. The success of Rajinikanth’s previous film, encouraged the director, , to cast Rajinikanth in a melodramatic, sacrificial role in . The film was originally offered to who refused. While making the film, Rajinikanth had misgivings whether the audience would accept him in such a melodrama since he had been an entertainer till then. However, Muthuraman convinced him and showed him 5,000 feet (1,500 m) of the edited version; he was highly impressed, and then showed great involvement in its making. Rajinikanth and Muthuraman had differences of opinion every day during the film’s shooting, and Panchu Arunachalam used to interfere frequently and tell Rajinikanth to listen to the director. The make-up for Rajinikanth was done by and according to him, the old look of Rajinikanth was influenced by . The filming began at AVM Studios with scenes of Rajinikanth and Jaya being shot. The story explores the burden of responsibility and the quiet tragedy of self-sacrifice through Santhanam, a working-class man who gives up his entire life to support his ungrateful family. Drawing from the emotional realism of K. Balachander and Balu Mahendra, the narrative critiques the idealization of family, exposing it as both a source of strength and betrayal. Echoing themes from , , and , it portrays how familial duty becomes a moral trap, especially for the eldest son in Indian households. Santhanam’s devotion to his siblings is repaid with opportunism, while his wife Lakshmi stands as the only true partner, her silent love and tragic death embodying the depth of domestic sacrifice reminiscent of characters from and . His late-life success as a novelist highlights the hollowness of delayed recognition, touching on the existential themes found in realist cinema like . Ultimately, the story is a powerful commentary on the meaninglessness of success without love, the emotional cost of duty, and the loneliness that shadows unacknowledged greatness. Soundtrack was composed by , with lyrics by . The song “Kanmaniye Kadhal” is set in raga. Kausikan of praised Rajinikanth’s performance, citing he proved he can perform emotional roles too while also appreciating Arunachalam’s screenplay and Muthuraman’s direction but felt there were overdose of emotions still it can be enjoyed by general audience. He concluded calling it a good film which takes us back to the time of 1940s (only in terms of concept). Naagai Dharuman of praised the acting of cast, cinematography, music, dialogues and appreciating Muthuraman for giving a quality family drama but felt he could have made it brisker in the latter half and concluded this film will attract womenfolk and general audience. The film was screened for 25 weeks in the Midland theatre, Chennai.</p>