Payanam

<p>On a flight from to , five passengers retrieve weapons from the toilet and use them to hijack the aircraft. During a struggle with the pilots to divert the plane to , an engine is damaged, so they make an emergency landing at . Government authorities arrive. The hijackers demand (c. US $22,000,000), the release of their imprisoned leader Yusuf Khan, and a fresh aircraft for their escape. A team is put together, led by Home Secretary K Vishwanath ( ), to tackle the situation. Major N. Raveendra “Ravi” ( ), who captured Yusuf Khan, recalls the death of a colleague at the shootout and regrets not killing Khan at the time. He urges the to allow a commando operation, but officials fear risking passengers’ lives and do not trust Ravi’s team. Ravi is frustrated when the government vacillates, and it seems Khan might be released. Inside the aircraft, the passengers gather in groups to discuss their past lives and religion. One of the terrorists becomes sentimentally attached to Afshana, a young girl who is returning to after a heart operation. The terrorist’s associates, however, warn him not to become too attached to the girl because his main duty is to carry out the operation, which includes killing the passengers. Another passenger, Jagadheesh ( ), a retired army colonel, frequently irritates the terrorists with questions about their motives. Tensions rise until Praveen ( ), a drug-addicted passenger, attempts an escape but is shot by a terrorist, who then warns the authorities to act quickly. Ravi’s colleague Nawaz Khan ( ) discovers have identified a missing cleaner who prepared the toilet of the flight before its departure. Ravi and Nawaz go to find the cleaner, hoping to get information about the nature of the weapons that were left for the hijackers. After a chase in , they capture the cleaner, who admits his involvement in the plot and gives vague information about the size of the weapon he placed in the toilet. Ravi and Nawaz deduce the weapon is a . On his return, Ravi is told the government has decided to release Khan but while being transported to the airport, Khan dies in an accident. Ravi asks officials to be very confident about this information so they can plan an assault without the terrorists’ knowledge. A reporter disguises himself as an assistant to a senior police official; he closely approaches the aircraft, records video of the aircraft using a pen camera and overhears two officials in a restroom discussing Khan’s accident. The terrorists become alarmed. Despite attempts to contain the news, the media leak it. One of the terrorists kills a passenger named Subash ( ), and threatens to kill one passenger every 30 minutes unless it is proven that Khan is alive. Ravi arranges for actor Ranganath ( ), who portrayed Khan in a film called , to make the terrorists believe Khan is alive and being treated at a hospital. Ravi plans an operation to rescue the victims and names it Operation Garuda. Through a female cleaner, he secretly sends a mobile phone hidden in a food packet onto the plane so he can exchange information with Colonel Jagadheesh. Ravi plans to shoot the hijackers while they transit to a new flight by asking the passengers to bend down when they get a signal. The plan succeeds, and four of the five hijackers are killed. The last terrorist is killed with the help of two passengers. The plastic explosive is found in Afshana’s bag. Ravi throws it away and the bag explodes. The operation ends, the Prime Minister appreciates Ravi, and the passengers continue to their destination. The passengers happily leave the flight, saying farewell each other, and agree to meet again. The terrorists’ names are revealed to be Yasin (the leader), Munna, Omar, Anwar and Abdul. , after directing the family-oriented romance and drama films , and , decided to produce an action thriller about an . He approached his close friend, actor-producer , who had produced all his earlier films. Raj agreed to fund this film after reading by Devi Sharan. This new film would mark the pair’s fourth collaboration. Raj renamed his Duet Movies banner to Silent Movies, the logo and name of which Radha Mohan had designed. Mohan also decided to make the film simultaneously in both the Tamil and Telugu languages, and was able to persuade Telugu film producer to produce the Telugu version, titled , whilst engaging actor , who is well-known in both film industries, to play the lead role of a commando. Nagarjuna said was “one of the easiest” films he had worked on because he did not have to prepare much for the role since Mohan and Raj had done “so much research”, spoken to army officers and had “everything about the role on paper – how commandos behave and dress”. Nagarjuna chose the title for the Telugu version himself. Nagarjuna, starring in his first direct Tamil film in 13 years, was part of an ensemble cast that included around 45 actors from both the Tamil and Telugu industries, the cast being retained for both versions. This was Nagarjuna’s first film without a love interest for his character. Nagarjuna found it difficult to mouth Tamil dialogues due to his lack of fluency in the language. His Tamil voice was dubbed by . Prakash Raj, who had starred in all of Mohan’s earlier films, was cast in a main role. He considered ‘s character Chandrakanth, a , to represent “all falsehood in our cinema”. played a passenger that was held hostage. To prepare for his role of a priest in the film, observed the diction and gait of priests at churches. played a drug addict. After sending his application for the film’s casting, received the opportunity to play dual roles: a terrorist named Yusuf Khan and a junior artist named Ranganath. Mohan had already had Sricharan in mind for the dual role after seeing his performance in (2008). Despite widespread reports that was based on the , Raj has denied these reports, making clear it was about a fictional hijack that takes place at . Art director Kathir erected a grand set resembling Tirupati airport at in . The airport set was constructed within one month and cost ₹3 crore. The film was also shot at Chennai and – . Both of the versions had different runtimes to suit the local audiences’ sensibilities, with the Telugu version being shorter than the Tamil version. The release of and was postponed several times despite being them ready for release in September 2010: the release of (2010) in October, several high-key Tamil films in , and (2010) and (2010) in December further delayed both versions of the film’s release. The post-production of was delayed by the strike in the Telugu film industry in January 2010. talked with the producers of (2011) and helped secure the 11 February release date for . According to film critic , “You could call a cross between a disaster movie (say, ) and a stage play. There’s such an air of bonhomous familiarity to those who grew up in the seventies and the eighties”. Unlike American hijack films like (1996), which are supposed to be suspenseful throughout, also included comedic sequences. was assigned as the film composer and worked on the film’s background score. The film would include only one solo song, which was composed by Pravin and was written by ‘s son . According to the director: “is a different film, a very character-oriented film with no songs”. Nagarjuna attributed the film’s lack of songs to Indian cinema’s attempt to replicate Hollywood. Pavithra Srinivasan of rated 3.5 out of 5 and stated: “The sequences are logical, even while allowing for dashes of humour, soul-searching, and feel-good factors; the whole setting has a realistic feel that draws you in”. Rangan wrote, “The film is brisk and never boring. But its biggest achievement may be in proving that it is possible to sneak various genres past the barbed-wire boundaries of Tamil cinema”. A critic from stated: “The film’s supporting cast is what makes it work. On the whole, Radha Mohan’s is an enjoyable ride.” praised the attempt to insert comedy in the action sequences, saying; “A big plus is a comedy in the script with the various characters from all backgrounds from a star to an astrologer, all thrown together in the aircraft”. noted; “The film grabs audience attention from the word go – you’re worried about the plight of the passengers one minute, chuckling the very next at the wry humour, and before long, gripped by the suspense”. The reviewer also praised the art director, stating: “The aircraft and airport are apparently a set. Really? Art director Kathir, take a bow!” and also said; “As the end credits roll, you only wish there had been a Major Raveendran who had his way in December 1999 at Amritsar”. A critic from gave a score of 2.5 out of 5 and said; “Radhamohan’s would have been a more engaging watch only if the journey was a littler shorter”. A critic from wrote, “Rarely has a flight-hijack drama been presented on the Indian screen. There are rare ones like the recent Malayalam release inspired by a real-life incident. So, a bilingual (Tamil, Telugu) centered on a hijack-plot, comes as a welcome change”. Radhika Rajamani of wrote: “Director Radhamohan has crafted a brilliant hijack drama in . The film is filled with suspense and thrills and laced occasionally with humour.” Jeevi of called “a decent film which should be watched with an open mind”. A critic from called “a must watch”.</p>