Mayangukiral Oru Maadhu

<p>Kalpana, a college girl, has a with Balu and becomes pregnant, but is saved by her hostel roommate Revathi and a lady doctor. She later marries Kumar, the doctor’s brother. Kalpana later discovers that Vasan, a photographer, is aware of her one-night stand with Balu, and strives to keep this a secret from Kumar, even as Vasan begins blackmailing her for money to keep quiet about it. was produced by S. Baskar under Vijayabaskar Films. The screenplay was written by Panchu Arunachalam. insisted the crew to shoot in ‘ studio as they were willing to provide rent for certain amount for entire film, this led the crew to begin the film there as most of the facilities were available in studios. C. R. W. David, in the book , compared to (1974) because in both films, the lead female has “fallen” in her past. The music was composed by . The song “Samsaram Enbathu Veenai” reflects the expectations of a husband about his wife, with the lyrics “Samsaram enbathu veenai, santhosam enbathu ragam, salanangal athil illai” (wife is a , happiness is the , there are no discordant notes in it). The song “Varavendum Vaazhkkaiyil Vasantham” was reused from Vijaya Bhaskar’s own song “Karpoorada Gombe Naanu” from the 1972 film . was released on 30 May 1975. Distributors refused to buy the film as they wanted the heroine character to die which Muthuraman refused to change it as he wanted to end the film in a revolutionary manner. This led the producer to distribute the film by himself; however this end was well received by audience. The film was certified ” ” (unrestricted) by the despite having a lovemaking scene. When Muthuraman who initially thought the certificate was given for removing this scene surprisingly asked the censor official for providing “U” when he expected ” ” (adults only), the official said that this particular scene was a turning point in the film and it only showed the consequences of it so they decided not to remove it. Kanthan of said Babu’s cinematography uplifted the film while appreciating Muthuraman’s direction and called Sujatha’s performance as lifeline of the film. was remade in Kannada as (1976), in as (1976), and in as (1982).</p>